Chapters in this book

1. Front Matter i
2. Contents v
3. Acknowledgments ix
4. Foreword xi
5. Introduction 3
6. A Past as Rich as Our Futures Allow: A Genealogy of Feminist Art in Canada 19
7. “They Aren’t a Boy or a Girl, They Are Mysterious”: Finding Possible Futures in Loving Animals and Aliens 57
8. Fashioning Race, Gender, and Desire: Cheryl Sim’s Fitting Room and Mary Sui Yee Wong’s Yellow Apparel 76
9. Queering Abjection: A Lesbian, Feminist, and Canadian Perspective 96
10. The Appearance of Desire 118
11. Resistance as Resilience in the Work of Rebecca Belmore 135
12. Desirous Kinds of Indigenous Futurity: On the Possibilities of Memorialization 149
13. “All That Is Canadian”: Identity and Belonging in the Video and Performance Artwork of Camille Turner 169
14. Mother Me 182
15. Vancouver 1989 197
16. From Mentorship to Collaboration: Art, Feminism, and Community in Winnipeg 220
17. How to Review Art as a Feminist and Other Speculative Intents 238
18. How Not to Install Indigenous Art as a Feminist 242
19. A Speculative Manifesto for the Feminist Art Fair International: An Interview with Allyson Mitchell and Deirdre Logue of the Feminist Art Gallery 257
20. Appendix: There Is No Feminism (A Love Letter) Or, A Working Chronology of Feminist Art Infrastructures in Canada 270
21. Illustrations 301
22. Contributors 307
23. Index 311