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18 Sensing Oil: Sublime Art and Politics in Canada

© McGill-Queen's University Press

© McGill-Queen's University Press

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Figures ix
  4. Acknowledgments xi
  5. On Petrocultures: Or, Why We Need to Understand Oil to Understand Everything Else 3
  6. Rigs, Platforms, and Pipelines
  7. Extreme Oil and the Perils of Cinematic Practice 27
  8. Containing Oil: The Pipeline in Petroculture 36
  9. Who We Are and What We Do: Canada as a Pipeline Nation 78
  10. Can the Petro-Modern State Form “Wither Away”? The Implications of Hyperobjects for Anti-Statist Politics 120
  11. American Petro-Imaginaries: Modernism and Automobility
  12. Behind the Closet Door: Pixar and Petro-Literacy 138
  13. “Made for Mankind”: Cars, Cosmetics, and the Petrocultural Feminine 162
  14. Oil Tragedy as Modern Genre 187
  15. Where Is the Oil in Modernism? 197
  16. Petro-Matters: Plasticity, Toxicity, Lubricity
  17. Plastic Vision and the Sight of Petroculture 222
  18. Oil Futures/Petrotextiles 242
  19. Holding Water in Times of Hydrophobia 264
  20. Lubricity: Smooth Oil's Political Frictions 287
  21. Oil Theory
  22. Petrocultures in Passive Revolution: The Autonomous Domain of Treaty Poetics 325
  23. Getting into Accidents: Stoekl, Virilio, Postsustainability 355
  24. Being and Oil: Or, How to Run a Pipeline through Heidegger 377
  25. Petroleum's Longue Durée: Writing Oil's Temporalities into History 389
  26. Petroscape Aesthetics
  27. Petro-Pastoralism: Agrarian Hydrocarbons in South Trinidad 411
  28. Sensing Oil: Sublime Art and Politics in Canada 431
  29. Photography from Benjamin to Žižek, via the Petrochemical Sublime of Edward Burtynsky 458
  30. New Stories, New Knowledge: Research Creation
  31. Live from Alberta! Radio Petro Presents A Scary Home Companion 479
  32. The Tar Sands Exploration Station: A Self-Directed Artist Residency 498
  33. Contributors 507
  34. Index 515
Petrocultures
This chapter is in the book Petrocultures
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