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5 ‘The Heart cannot forget / Unless it contemplate / What it declines’: Emily Dickinson, Frank Ankersmit and the Art of Forgetting
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Contributors vii
- Introduction: New Critical Thinking – To Read so as to Become Acquainted 1
- 1 Turnings and Re-Turnings 15
- 2 ‘Peering into the dark machinery’: Modernity, Perception and the Self in John Burnside’s Poetry 23
- 3 Modernity’s Sylvan Subjectivity, from Gainsborough to Gallaccio 36
- 4 Little Did They Know: Toward an Experiential Approach to the Theory of History 50
- 5 ‘The Heart cannot forget / Unless it contemplate / What it declines’: Emily Dickinson, Frank Ankersmit and the Art of Forgetting 76
- 6 Reading Microhistory: Three Layers of Meaning 99
- 7 Writing Fiction, Making History: Historical Narrative and the Process of Creating History 123
- 8 Witnessing, Recognition and Response Ethics 140
- 9 A Norwegian Abroad: Camilla Collett’s Travelogues from Berlin and Paris 158
- 10 Alfred Jarry’s Nietzschean Modernism 167
- 11 On First Looking into Derrida’s Glas 176
- 12 ‘A very black and little Arab Jew’: Experience and Experimentation or, Two Words for Jacques Derrida 195
- Index 209
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Contributors vii
- Introduction: New Critical Thinking – To Read so as to Become Acquainted 1
- 1 Turnings and Re-Turnings 15
- 2 ‘Peering into the dark machinery’: Modernity, Perception and the Self in John Burnside’s Poetry 23
- 3 Modernity’s Sylvan Subjectivity, from Gainsborough to Gallaccio 36
- 4 Little Did They Know: Toward an Experiential Approach to the Theory of History 50
- 5 ‘The Heart cannot forget / Unless it contemplate / What it declines’: Emily Dickinson, Frank Ankersmit and the Art of Forgetting 76
- 6 Reading Microhistory: Three Layers of Meaning 99
- 7 Writing Fiction, Making History: Historical Narrative and the Process of Creating History 123
- 8 Witnessing, Recognition and Response Ethics 140
- 9 A Norwegian Abroad: Camilla Collett’s Travelogues from Berlin and Paris 158
- 10 Alfred Jarry’s Nietzschean Modernism 167
- 11 On First Looking into Derrida’s Glas 176
- 12 ‘A very black and little Arab Jew’: Experience and Experimentation or, Two Words for Jacques Derrida 195
- Index 209