Edinburgh University Press
Bollywood and Postmodernism
About this book
‘New Bollywood’ has arrived, but its postmodern impulse often leaves film scholars reluctant to theorise its aesthetics. How do we define the style of a contemporary Bollywood film? Are Bollywood films just uninspired Hollywood rip-offs, or does their borrowing signal genuine innovation within the industry?
Applying postmodern concepts and locating postmodern motifs in key commercial Hindi films, this innovative study reveals how Indian cinema has changed in the 21st century. Equipping readers with an alternative method of reading contemporary Indian cinema, Bollywood and Postmodernism takes Indian film studies beyond the exhausted theme of diaspora, and exposes a new decade of aesthetic experimentation and textual appropriation in mainstream Bombay cinema.
A bold celebration of contemporary Bollywood texts, this book radically redefines Indian film and persuasively argues for its seriousness as a field of study in world cinema.
Topics
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Frontmatter
i -
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Contents
v -
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Acknowledgements
vi -
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List of Figures
vii -
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List of Abbreviations of Film Titles
viii -
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1 Introduction: The Bollywood Eclipse
1 -
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2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema
21 -
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3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema
46 -
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4 Postmodernism and India
63 -
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5 Postmodern Bollywood
79 -
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6 Indian Cinema: A History of Repetition
128 -
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7 Contemporary Bollywood Remakes
148 -
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8 Conclusion: A Bollywood Renaissance?
190 -
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Bibliography
201 -
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List of Additional Reading
213 -
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Appendix: Popular Indian Film Remakes
215 -
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Filmography
220 -
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Index
225