Edinburgh University Press
Independent Chinese Documentary
About this book
There has been an explosion in Chinese independent documentary making since the turn of the twenty-first century. How are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence? Or a more complex attempt to expand the terms of public discourse in the People’s Republic? This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television sectors, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao’s repression can be publicly aired for a small, but steadily growing, public.
Topics
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Frontmatter
i -
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Contents
v -
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List of Figures
vii -
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Acknowledgements
ix -
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A Note on Terminology
xi -
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Introduction
1 -
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1 From Underground Practice to Alternative Public Sphere
27 -
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2 A Public of Viewer-producers
45 -
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3 Remembering the Past, Reclaiming History
69 -
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4 The Right to be Public and a Public with Rights
96 -
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5 The Ethics of Encounter in Chinese Documentary
127 -
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Afterword: Future Prospects for the Alternative Public Sphere of Independent Documentary
156 -
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Notes
159 -
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Glossary of Chinese Terms
177 -
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Filmography
179 -
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TV Series
182 -
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Bibliography
183 -
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Index
195