Kapitel in diesem Buch

1. Frontmatter i
2. Contents iii
3. Figures vi
4. Notes on Contributors vii
5. Acknowledgements xiii
6. Introduction: East, West and Centre: ‘Mapping Post-1989 European Cinema’ 1
7. Part I Redrawing the Lines: De/Recentring Europe
8. 1 The Berlin Wall Revisited: Reframing Historical Space between East and West in Cynthia Beatts’s Cycling the Frame (1988), The Invisible Frame (2009) and Bartosz Konopka’s Rabbit à la Berlin (2009) 23
9. 2 Changing Sides: East/West Travesties in Lionel Baier’s Comme des voleurs (à l’est) 37
10. 3 Dubbing and Doubling Over: The Disorientation of France in the Films of Michael Haneke and Krzysztof Kieślowski 51
11. 4 Challenging the East–West Divide in Ulrich Seidl’s Import Export (2007) 65
12. 5 Fatih Akın’s Filmic Visions of a New Europe: Spatial and Aural Constructions of Europe in Im Juli/In July (2000) 79
13. 6 Salami Aleikum – The ‘Near East’ Meets the ‘Middle East’ in Europe 95
14. 7 Cinematic Fairy Tales of Female Mobility in Post-Wall Europe: Hanna v. Mona 109
15. Part II Border Spaces, Eastern Margins and Eastern Markets: Belonging and the Road to/from Europe
16. 8 Contemporary Bulgarian Cinema: From Allegorical Expressionism to Declined National Cinema 127
17. 9 The Point of No Return: From Great Expectations to Great Desperation in New Romanian Cinema 147
18. 10 ‘Weirdness’, Modernity and the Other Europe in Attenberg (2010, Athina Rachel Tsangari) 159
19. 11 Lithuania Redirected: New Connections, Businesses and Lifestyles in Cinema since 2000 175
20. 12 Lessons of Neo-liberalism: Co-productions and the Changing Image of Estonian Cinema 191
21. 13 Decentring Europe from the Fringe: Reimagining Balkan Identities in the Films of the 1990s 205
22. Part III Spectres of the East
23. 14 Through the Lens of Black Humour: A Polish Adam in the Post-Wall World 221
24. 15 East Germany Revisited, Reimagined, Repositioned: Representing the GDR in Dominik Graf ’s Der rote Kakadu (2005) and Christian Petzold’s Barbara (2012) 237
25. 16 Barluschke: Towards an East–West Schizo-history 253
26. 17 The Limits of Nostalgia and (Trans) National Cinema in Cum mi-am petrecut sfârşitul lumii (2006) 267
27. 18 The Ideal of Ararat: Friendship, Politics and National Origins in Robert Guédiguian’s Le Voyage en Arménie 279
28. Notes 293
29. Bibliography 311
30. Index 335