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5. The Gunman and the Gun: Japanese Film Noir since the Late 1950s
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David Desser
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Chapters in this book
- Frontmatter i
- CONTENTS v
- List of Illustrations vii
- Acknowledgements ix
- Notes on the Contributors xi
- Introduction: The Noir Impulse 1
- 1. British Noir 14
- 2. French Noir 1947–79: From Grunge-noir to Noir-hilism 36
- 3. French Neo-noir: An Aesthetic for the Policier 61
- 4. Early Japanese Noir 85
- 5. The Gunman and the Gun: Japanese Film Noir since the Late 1950s 112
- 6. Darker than Dark: Film Noir in its Asian Contexts 136
- 7. Nordic Noir and Neo-noir: The Human Criminal 155
- 8. Indian Film Noir 182
- 9. The New Sincerity of Neo-noir 193
- 10. Post-noir: Getting Back to Business 220
- Selected Bibliography of International Film Noir 241
- Selected Filmography of International Film Noir 246
- Index 258
Chapters in this book
- Frontmatter i
- CONTENTS v
- List of Illustrations vii
- Acknowledgements ix
- Notes on the Contributors xi
- Introduction: The Noir Impulse 1
- 1. British Noir 14
- 2. French Noir 1947–79: From Grunge-noir to Noir-hilism 36
- 3. French Neo-noir: An Aesthetic for the Policier 61
- 4. Early Japanese Noir 85
- 5. The Gunman and the Gun: Japanese Film Noir since the Late 1950s 112
- 6. Darker than Dark: Film Noir in its Asian Contexts 136
- 7. Nordic Noir and Neo-noir: The Human Criminal 155
- 8. Indian Film Noir 182
- 9. The New Sincerity of Neo-noir 193
- 10. Post-noir: Getting Back to Business 220
- Selected Bibliography of International Film Noir 241
- Selected Filmography of International Film Noir 246
- Index 258