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Acknowledgements
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vii
-
Part I. Theme
- Introduction to Part I 3
- Chapter 1. The past as revenant: trauma and haunting in Pat Barker's Another Worl 12
- Chapter 2. Telling tales: trauma and testimony in Binjamin Wilkomirski's Fragments 30
- Chapter 3. 'Ground that will remember you': trauma and landscape in Anne Michaels's Fugitive Pieces 48
-
Part II. Style
- Introduction to Part II T 81
- Chapter 4. Othello in the ghetto: trauma and intertextuality in Caryl Phillips's The Nature of Blood 89
- Chapter 5. The butterfly man: trauma and repetition in the writing of W. G. Sebald 117
- Chapter 6. Recomposing the past: trauma and improvisation in Toni Morrison's Jazz and Jackie Kay's Trumpet 140
- Conclusion 161
- Notes 163
- Bibliography 170
- Index 179
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vii
-
Part I. Theme
- Introduction to Part I 3
- Chapter 1. The past as revenant: trauma and haunting in Pat Barker's Another Worl 12
- Chapter 2. Telling tales: trauma and testimony in Binjamin Wilkomirski's Fragments 30
- Chapter 3. 'Ground that will remember you': trauma and landscape in Anne Michaels's Fugitive Pieces 48
-
Part II. Style
- Introduction to Part II T 81
- Chapter 4. Othello in the ghetto: trauma and intertextuality in Caryl Phillips's The Nature of Blood 89
- Chapter 5. The butterfly man: trauma and repetition in the writing of W. G. Sebald 117
- Chapter 6. Recomposing the past: trauma and improvisation in Toni Morrison's Jazz and Jackie Kay's Trumpet 140
- Conclusion 161
- Notes 163
- Bibliography 170
- Index 179