Chapters in this book

1. Frontmatter i
2. Contents vii
3. Notes on Transliteration viii
4. 1 The Fictive and the Factual 1
5. 2 Described and Inscribed: Image, Text, Form, and Genre 21
6. 3 Architecture, Adornment, and the Ramayana at Court and Temple 53
7. 4 Temporality, Presence, and “Portrait Green” 79
8. 5 Somatic Vision and Devotional Landscapes 147
9. 6 Talapuranam and the Body in Motion 193
10. Conclusion Painting at the Limit 237
11. Acknowledgments 241
12. Glossary 245
13. Notes 252
14. Works Cited 276
15. Index 285
16. Credits 294