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Shakespeare Bewitched
-
Stephen Greenblatt
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Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments ix
- List of Contributors xi
- Introduction 3
- The Historicist Enterprise 3
-
Chapter One
- Generating Literary Histories 39
-
Chapter Two
- Texts and Works: Some Historical Questions on the Editing of Old English Verse 54
-
Chapter Three
- Making Identities in Fifteenth-Century England: Henry V and John Lydgate 69
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Chapter Four
- Shakespeare Bewitched 108
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Chapter Five
- Re-visioning the Restoration: Or, How to Stop Obscuring Early Women Writers 136
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Chapter Six
- Re-presenting the Body in Pamela II 151
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Chapter Seven
- Fictions and Freedom: Wordsworth and the Ideology of Romanticism 178
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Chapter Eight
- Beyond the Valley of Production; or, De factorum natura: A Dialogue 198
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Chapter Nine
- Literary History as a Hybrid Genre 216
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Chapter Ten
- Blackface, White Noise: The Jewish Jazz Singer Finds His Voice 230
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Chapter Eleven
- Black, White, and in Color, or Learning How to Paint: Toward an Intramural Protocol of Reading 267
-
Chapter Twelve
- Exiling History: Hysterical Transgression in Historical Narrative 292
-
Chapter Thirteen
- Figures, Configurations, Transfigurations 316
- Index 331
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments ix
- List of Contributors xi
- Introduction 3
- The Historicist Enterprise 3
-
Chapter One
- Generating Literary Histories 39
-
Chapter Two
- Texts and Works: Some Historical Questions on the Editing of Old English Verse 54
-
Chapter Three
- Making Identities in Fifteenth-Century England: Henry V and John Lydgate 69
-
Chapter Four
- Shakespeare Bewitched 108
-
Chapter Five
- Re-visioning the Restoration: Or, How to Stop Obscuring Early Women Writers 136
-
Chapter Six
- Re-presenting the Body in Pamela II 151
-
Chapter Seven
- Fictions and Freedom: Wordsworth and the Ideology of Romanticism 178
-
Chapter Eight
- Beyond the Valley of Production; or, De factorum natura: A Dialogue 198
-
Chapter Nine
- Literary History as a Hybrid Genre 216
-
Chapter Ten
- Blackface, White Noise: The Jewish Jazz Singer Finds His Voice 230
-
Chapter Eleven
- Black, White, and in Color, or Learning How to Paint: Toward an Intramural Protocol of Reading 267
-
Chapter Twelve
- Exiling History: Hysterical Transgression in Historical Narrative 292
-
Chapter Thirteen
- Figures, Configurations, Transfigurations 316
- Index 331