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Chapters in this book
- Frontmatter i
- Contents vi
- Acknowledgments ix
- Introduction 1
-
Part One. Models and Patterns
- 1 The Emergence of Dynastic Time in Chinese Art 13
- 2 Reconfiguring the World. The First Emperor’s Art Projects 39
- 3 Conflicting Temporalities Heaven’s Mandate and Its Antitheses 69
-
Part Two Politics and Religion
- 4 Miraculous Icons and Dynastic Time. Narrating Buddhist Images in Medieval China 99
- 5 Landscape and Dynastic Power. Competing Yue 127
-
Part Three Past and Present
- 6 Art History and Dynastic Time. Reading Zhang Yanyuan 155
- 7 Blind Spots of Dynastic Time. The Case of the Liao 175
- 8 Returning to the Past. Fugu and Dynastic Time 203
-
Part Four Rupture and Revolution
- 9 Art of Absence. Remnant Subject and Post-dynastic Temporality 231
- 10 End as Beginning. Dynastic Time and Revolution 261
- Conclusion. Dynastic Time and Beyond 287
- Notes 299
- Bibliography 320
- Index 332
- Photo and Illustration Credits 338
- A.W. Mellon Lectures in the Fine Arts 1952–2021 339
Chapters in this book
- Frontmatter i
- Contents vi
- Acknowledgments ix
- Introduction 1
-
Part One. Models and Patterns
- 1 The Emergence of Dynastic Time in Chinese Art 13
- 2 Reconfiguring the World. The First Emperor’s Art Projects 39
- 3 Conflicting Temporalities Heaven’s Mandate and Its Antitheses 69
-
Part Two Politics and Religion
- 4 Miraculous Icons and Dynastic Time. Narrating Buddhist Images in Medieval China 99
- 5 Landscape and Dynastic Power. Competing Yue 127
-
Part Three Past and Present
- 6 Art History and Dynastic Time. Reading Zhang Yanyuan 155
- 7 Blind Spots of Dynastic Time. The Case of the Liao 175
- 8 Returning to the Past. Fugu and Dynastic Time 203
-
Part Four Rupture and Revolution
- 9 Art of Absence. Remnant Subject and Post-dynastic Temporality 231
- 10 End as Beginning. Dynastic Time and Revolution 261
- Conclusion. Dynastic Time and Beyond 287
- Notes 299
- Bibliography 320
- Index 332
- Photo and Illustration Credits 338
- A.W. Mellon Lectures in the Fine Arts 1952–2021 339