Chapters in this book

1. Frontmatter i
2. Contents vii
3. Painting by Numbers
4. 1 What Is a Data-Driven History of Art 1
5. 2 The Historical Data of the Art World 23
6. 3 Between City and Country: Industrialization and Images of Nature at the Paris Salon 52
7. 4 Why Have There Been No Great Women Artists? Artistic Labor and Time-Constraint in Nineteenth-Century America 85
8. 5 Implied But Not Shown: Empire at the Royal Academy 115
9. 6 Conclusion 153
10. Appendices
11. A Further Information about Compilation of and Access to Data Sources 157
12. B A Brief Historiography of the Study of Jean-François Millet and the Relationship between City and Country in Nineteenth-Century French Rural Genre Painting 159
13. C Subject Headings in the Whiteley Index Identified as Rural, Industrial, Religious, and Family Tags 165
14. D Full Regression Tables, How to Read Regression Tables, and Further Discussion of Results 167
15. E French Transcription of Letters Written by Jean-François Millet 175
16. F Still Life Keywords Identified in Titles of Works Exhibited at the National Academy of Design, 1826–1900 177
17. G Further Information about Geographic Classifications of Royal Academy Data and Imperial Keywords 178
18. Acknowledgments 180
19. Notes 184
20. Bibliography 215
21. Index 235