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IV. Pandora and Ignorance: Rosso Fiorentino
-
Dora Panofsky
and Erwin Panofsky
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Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Preface xiii
- Preface to the Second Edition xiv
- PANDORA'S BOX. The Changing Aspects of a Mythical Symbol 1
- I. Pandora in the Medieval Tradition 3
- II. The Origin of the "Box": Erasmus of Rotterdam 14
- III. Pandora and Hope: Andrea Alciati 27
- IV. Pandora and Ignorance: Rosso Fiorentino 34
- V. Roma Prima Pandora; Eva Prima Pandora; Lutetia Nova Pandora 55
- VI. Pandora, "'Gift of All": Elizabethans and Jacques Callot 68
- VII : ΠϲΘοεγiα: Hesiod vs. Babrius et al. 79
- VIII. Romanticism, Classicist and Victorian 85
- Epilogue: Pandora Oil the Stage: Calderón, Voltaire, Goethe, and Late-Antique Allegory 117
- Addenda 137
- Addenda to the Second Edition 142
- Index 169
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Preface xiii
- Preface to the Second Edition xiv
- PANDORA'S BOX. The Changing Aspects of a Mythical Symbol 1
- I. Pandora in the Medieval Tradition 3
- II. The Origin of the "Box": Erasmus of Rotterdam 14
- III. Pandora and Hope: Andrea Alciati 27
- IV. Pandora and Ignorance: Rosso Fiorentino 34
- V. Roma Prima Pandora; Eva Prima Pandora; Lutetia Nova Pandora 55
- VI. Pandora, "'Gift of All": Elizabethans and Jacques Callot 68
- VII : ΠϲΘοεγiα: Hesiod vs. Babrius et al. 79
- VIII. Romanticism, Classicist and Victorian 85
- Epilogue: Pandora Oil the Stage: Calderón, Voltaire, Goethe, and Late-Antique Allegory 117
- Addenda 137
- Addenda to the Second Edition 142
- Index 169