Editor’s Introduction

Chapters in this book

1. Frontmatter i
2. Contents vii
3. List of Illustrations ix
4. Foreword : Hannah Frank’s Pause xi
5. Editor’s Introduction xix
6. Acknowledgments xlix
7. Introduction: Looking at Labor 1
8. 1. Animation and Montage; or, Photographic Records of Documents 13
9. 2. A View of the World: Toward a Photographic Theory of Cel Animation 44
10. 3. Pars Pro Toto: Character Animation and the Work of the Anonymous Artist 74
11. 4. The Multiplication of Traces: Xerographic Reproduction and One Hundred and One Dalmatians 108
12. Conclusion: The Labor of Looking 144
13. Notes 157
14. Bibliography 189
15. Index 207