Climate Change and the Art of Devotion

In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. In Climate Change and the Art of Devotion, Sugata Ray shows how this place-centered theology emerged in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. Using the frame of geoaesthetics, he compares early modern conceptions of the environment and current assumptions about nature and culture.

A groundbreaking contribution to the emerging field of eco–art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history.

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"To call the methodology of this book transdisciplinary does not do justice to this well-constructed and beautiful masterpiece...Climate Change and the Art of Devotion is a must-read for all who care about religion and ecology, religion and art history, Indian philosophy and religion, Asian art, art history, and geoaesthetics."

"[T]he methodologies entailed in geoaesthetics and eco art history open up new avenues for understanding the history of Braj religion and art in particular, and the cultural dynamics of climate change more broadly. As we enter ever more deeply into the Anthropocene, scholarship such as Ray’s will be increasingly important."

"[E]nchanting and compelling. Ray musters visual and textual evidence for an original approach to representations of the natural environment in art and temple architecture devoted to the god Krishna during a three-hundred-year time span, 1550-1850."

"This is a thought-provoking work whose greatest contribution is that it carves a path for new studies that may extend our understanding of the deep and complex interrelationships among geoaesthetics, ecology, spiritual practice, and the built environment in early modern India."

"This is an excellent book that is well worth reading. Sugata Ray is a very good writer, and Climate Change and the Art of Devotion was impressively researched."

"By opening art history to questions about how humans have thought about the earth, and how art and religion have been shaped by human changes and natural disruptions to the earth, Ray’s brilliant book guides us to new problems, and to new ways of thinking about art"

"A wonderfully imaginative addition to the growing body of literature on the Little Ice Age. Sugata Ray traces the influence of climatic variations on South Asian art, architecture and devotional practices with extraordinary interpretive skill. This book is a must read for everyone with an interest in human responses to climate variability."

"A ground-breaking contribution to the emerging field of eco–art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history."