Chapters in this book

1. Frontmatter i
2. Contents vii
3. Preface ix
4. 1. Introduction: Four Gaps in Postromantic Influence Study 1
5. Part One. Remaking Poetry
6. 2. The Arrangement of Browning's Dramatic Lyrics (1842) 15
7. 3. The Structure of Browning's "Pictor Ignotus" 30
8. 4. Solomon's Architectonics: The Greater Victorian Lyric 38
9. 5. Yeats and the Greater Romantic Lyric 51
10. Part Two. Remaking Poets
11. 6. Yeats's Romantic Dante 73
12. 7. The Making of Yeats's Spenser 97
13. 8. Last Romantic or Last Victorian: Yeats, Tennyson, and Browning 106
14. 9. Pound's Parleyings with Browning 123
15. Notes 143
16. Index 159