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Randy Robertson
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Abbreviations xi
- Introduction 1
- 1 ‘‘Consider What May Come of It’’: Prynne’s Play and Charles’s Stately Theater 30
- 2 Lovelace and the ‘‘Barbed Censurers’’ 70
- 3 Free Speech, Fallibility, and the Public Sphere: Milton Among the Skeptics 100
- 4 The Delicate Arts of Anonymity and Attribution 130
- 5 The Battle of the Books: Swift’s Leviathan and the End of Licensing 163
- Conclusion: Dividing Lines—1689, 1695, and Afterward 197
- Notes 209
- Select Bibliography 257
- Index 266
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Abbreviations xi
- Introduction 1
- 1 ‘‘Consider What May Come of It’’: Prynne’s Play and Charles’s Stately Theater 30
- 2 Lovelace and the ‘‘Barbed Censurers’’ 70
- 3 Free Speech, Fallibility, and the Public Sphere: Milton Among the Skeptics 100
- 4 The Delicate Arts of Anonymity and Attribution 130
- 5 The Battle of the Books: Swift’s Leviathan and the End of Licensing 163
- Conclusion: Dividing Lines—1689, 1695, and Afterward 197
- Notes 209
- Select Bibliography 257
- Index 266
