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Front Matter
Chapters in this book
- Front Matter i
- Contents v
- Figures ix
- Acknowledgments xi
- Abbreviations xiii
- “You Don’t Want Me Because I’m Not a Boy” 1
- Masculinities And Femininities 17
- The White Feather 19
- From “Uncanny Beauty” to “Uncanny Disease” 44
- Barney of the Island 68
- Domestic Space 87
- The Robinsonade versus the Annescapade 89
- Soliciting Home 119
- “ That House Belongs to Me” 152
- Humour 173
- Cross-Dressing 175
- “ I’m Noted for That” 195
- “ Nora and I Got Through the Evening” 211
- Intertexts 229
- The Blue Castle 233
- L.M. Montgomery, E. Pauline Johnson, and the Figure of the “Half-Breed Girl” 249
- Orgies of Lovemaking 266
- Feminizing Thomson’s The Seasons 284
- Being in Time 305
- Her Reader 309
- Like a Childless Mother 316
- Magic for Marigold 331
- Bibliography 351
- Contributors 377
- Index 383
Chapters in this book
- Front Matter i
- Contents v
- Figures ix
- Acknowledgments xi
- Abbreviations xiii
- “You Don’t Want Me Because I’m Not a Boy” 1
- Masculinities And Femininities 17
- The White Feather 19
- From “Uncanny Beauty” to “Uncanny Disease” 44
- Barney of the Island 68
- Domestic Space 87
- The Robinsonade versus the Annescapade 89
- Soliciting Home 119
- “ That House Belongs to Me” 152
- Humour 173
- Cross-Dressing 175
- “ I’m Noted for That” 195
- “ Nora and I Got Through the Evening” 211
- Intertexts 229
- The Blue Castle 233
- L.M. Montgomery, E. Pauline Johnson, and the Figure of the “Half-Breed Girl” 249
- Orgies of Lovemaking 266
- Feminizing Thomson’s The Seasons 284
- Being in Time 305
- Her Reader 309
- Like a Childless Mother 316
- Magic for Marigold 331
- Bibliography 351
- Contributors 377
- Index 383