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Appendix A Dmitrii E. Mishin on the “Saqaliba” in the Medieval Muslim World
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Chapters in this book
- Front Matter i
- Contents vii
- Preface ix
- Acknowledgments xiii
- Abbreviations xv
- Figures xvii
- Ukrainian History in Context 1
-
A Complex History: Ukraine and the Dar al-Islam
- From Abbot Daniel to Count Potocki: Middle East Travel to 1800 23
- From the “Emir” to the Metropolitan: Middle East Travel (1800–1914) 36
- Tatar Slave Raiding and Turkish Captivity in Ukrainian History and Legend 57
-
A People Finds Its Voice: Maksymovych and Shevchenko
- Maksymovych and the National Awakening 81
- Shamil, Shevchenko, and the Chef-d'oeuvre, “The Caucasus”: A Poem as Seen from Afar 101
-
From Paris to Verkhivnia and the Sich: The French Connection
- All about Ève: The Realist Balzac's Ukrainian Dreamland 119
- La Guzla, Gogol, and the Cossacks: Prosper Mérimée Looks East 133
-
Contested Canvases: Rembrandt's Polish Rider and Repin's Satirical Cossacks
- Deciphering Rembrandt's Polish Rider 153
- Message to Mehmed: Repin Creates His Zaporozhian Cossacks 173
- Dmitrii E. Mishin on the “Saqaliba” in the Medieval Muslim World 201
- “Orientalisms” in Ukrainian, Polish, and Russian 204
- Shevchenko and the Muslims 213
- Notes 217
- Index 293
Chapters in this book
- Front Matter i
- Contents vii
- Preface ix
- Acknowledgments xiii
- Abbreviations xv
- Figures xvii
- Ukrainian History in Context 1
-
A Complex History: Ukraine and the Dar al-Islam
- From Abbot Daniel to Count Potocki: Middle East Travel to 1800 23
- From the “Emir” to the Metropolitan: Middle East Travel (1800–1914) 36
- Tatar Slave Raiding and Turkish Captivity in Ukrainian History and Legend 57
-
A People Finds Its Voice: Maksymovych and Shevchenko
- Maksymovych and the National Awakening 81
- Shamil, Shevchenko, and the Chef-d'oeuvre, “The Caucasus”: A Poem as Seen from Afar 101
-
From Paris to Verkhivnia and the Sich: The French Connection
- All about Ève: The Realist Balzac's Ukrainian Dreamland 119
- La Guzla, Gogol, and the Cossacks: Prosper Mérimée Looks East 133
-
Contested Canvases: Rembrandt's Polish Rider and Repin's Satirical Cossacks
- Deciphering Rembrandt's Polish Rider 153
- Message to Mehmed: Repin Creates His Zaporozhian Cossacks 173
- Dmitrii E. Mishin on the “Saqaliba” in the Medieval Muslim World 201
- “Orientalisms” in Ukrainian, Polish, and Russian 204
- Shevchenko and the Muslims 213
- Notes 217
- Index 293