Chapters in this book

1. Front Matter i
2. Contents vii
3. Figures xi
4. Acknowledgments xv
5. Introduction 3
6. The Play’s Not The Only Thing 15
7. Global Othello, Then and Now 25
8. Shakespeare, Spectators, and the Meaning of Race on Stage 36
9. “The Slutty Clown Speaks the Prologue” 47
10. Two Productions of The Two Gents 61
11. Embodying the Sea 76
12. Working with Shakespeare 91
13. Shakespeare’s Social Work 94
14. Lessons from a Street Fighter 109
15. Rooting for Shakespeare 123
16. “Redeeming Time” 139
17. Nutshells and Open Trials 159
18. Filming Theatre 171
19. Shakespeare Adaptation in the Age of the Camera Phone 186
20. The Indian Shakespeare Trilogy 200
21. Queering will and Kit 212
22. Star Trek’s Shakespeare Problem 230
23. Retelling Macbeth for the Digital Age 241
24. Square Brackets and Performance Choices 252
25. “Nor Understood None Neither” 262
26. Contributors 273
27. Index 279