Artikel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
Responses
-
Jean Beaman
Veröffentlicht/Copyright:
9. Juli 2022
Online erschienen: 2022-07-09
Erschienen im Druck: 2021-12-01
© 2022 by transcript Verlag
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Artikel in diesem Heft
- Masthead
- Redaktionen
- Table of Contents
- SUBJECT
- Introduction: Transforming the Post/Colonial Museum
- The Uganda Museum’s Tribal Representation: Colonial Repositories and Community Reconciliation in Uganda
- Challenges of Re-Writing the Iziko Ethnographic Collections Archives: Some Lessons from the Khomani San/Bushmen Engagement
- Problematic Museum Heritage in a Postcolonial Context: The Case of the Moto Moto Museum Chisungu Collection
- Eugen Zintgraff’s Diary as a Document of Theft and Destruction of Art Treasures in the Colonial Context
- The ›Mystery‹ of the Konkomba’s Severed Thumbs: Historical Fact, Colonial Rumour or Legend of the Defeated?
- The Museum of Black Civilisations, between History and Utopia
- The Post/Colonial Museum: Rethinking the Past, Collecting the Present
- Beyond the Museum: The Bandjoun Station
- Trafficking Vague Cosmological Boundaries: Towards Knowing Experiential Relationality in Museum Epistemics
- Adapter
- Evidence and Fiction: An Untimely Alliance with the Photography Archive of Margot Dias and Jorge Dias
- Debate
- Introduction: Discussing »Tacit Racism«
- Tacit Racism is Institutionalized in Interaction in the US: What about Elsewhere?
- Responses
- Authors
Artikel in diesem Heft
- Masthead
- Redaktionen
- Table of Contents
- SUBJECT
- Introduction: Transforming the Post/Colonial Museum
- The Uganda Museum’s Tribal Representation: Colonial Repositories and Community Reconciliation in Uganda
- Challenges of Re-Writing the Iziko Ethnographic Collections Archives: Some Lessons from the Khomani San/Bushmen Engagement
- Problematic Museum Heritage in a Postcolonial Context: The Case of the Moto Moto Museum Chisungu Collection
- Eugen Zintgraff’s Diary as a Document of Theft and Destruction of Art Treasures in the Colonial Context
- The ›Mystery‹ of the Konkomba’s Severed Thumbs: Historical Fact, Colonial Rumour or Legend of the Defeated?
- The Museum of Black Civilisations, between History and Utopia
- The Post/Colonial Museum: Rethinking the Past, Collecting the Present
- Beyond the Museum: The Bandjoun Station
- Trafficking Vague Cosmological Boundaries: Towards Knowing Experiential Relationality in Museum Epistemics
- Adapter
- Evidence and Fiction: An Untimely Alliance with the Photography Archive of Margot Dias and Jorge Dias
- Debate
- Introduction: Discussing »Tacit Racism«
- Tacit Racism is Institutionalized in Interaction in the US: What about Elsewhere?
- Responses
- Authors