Eugen Zintgraff’s Diary as a Document of Theft and Destruction of Art Treasures in the Colonial Context

Articles in the same Issue

1. Masthead
2. Redaktionen
3. Table of Contents
4. SUBJECT
5. Introduction: Transforming the Post/Colonial Museum
6. The Uganda Museum’s Tribal Representation: Colonial Repositories and Community Reconciliation in Uganda
7. Challenges of Re-Writing the Iziko Ethnographic Collections Archives: Some Lessons from the Khomani San/Bushmen Engagement
8. Problematic Museum Heritage in a Postcolonial Context: The Case of the Moto Moto Museum Chisungu Collection
9. Eugen Zintgraff’s Diary as a Document of Theft and Destruction of Art Treasures in the Colonial Context
10. The ›Mystery‹ of the Konkomba’s Severed Thumbs: Historical Fact, Colonial Rumour or Legend of the Defeated?
11. The Museum of Black Civilisations, between History and Utopia
12. The Post/Colonial Museum: Rethinking the Past, Collecting the Present
13. Beyond the Museum: The Bandjoun Station
14. Trafficking Vague Cosmological Boundaries: Towards Knowing Experiential Relationality in Museum Epistemics
15. Adapter
16. Evidence and Fiction: An Untimely Alliance with the Photography Archive of Margot Dias and Jorge Dias
17. Debate
18. Introduction: Discussing »Tacit Racism«
19. Tacit Racism is Institutionalized in Interaction in the US: What about Elsewhere?
20. Responses
21. Authors