Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS vii
3. List of Figures ix
4. List of Musical Examples xviii
5. List of Tables xxiii
6. Abbreviations xxiv
7. Acknowledgments xxvi
8. Foreword xxvii
9. PART I
10. 1 Preliminary Note on Roman Military Instruments 1
11. 2 EARLY HORNS AND CALLS 5
12. 3 THE COILED TROMPE 8
13. 4 SPIRAL INSTRUMENTS 13
14. 5 EARLY FRENCH HUNTING FANFARES 19
15. 6 HOOPED MODELS 22
16. 7 PRESERVED INSTRUMENTS 30
17. 8 VON SPORCK AND THE TROMPE DE CHASSE 42
18. 9 THE NATURAL HUNTING HORN (JAGDWALDHORN) 49
19. 10 TRUMPET AND HORN PLAYERS 80
20. 11 THE NATURAL HORN AT ITS ZENITH (ORCHESTERWALDHORN) 88
21. 12 DUETS 109
22. 13 FOUR CASE STUDIES: VIVALDI, BACH, HANDEL, TELEMANN 111
23. 14 INSTRUMENTS’ NAMES IN THE BAROQUE ERA 112
24. PART II
25. 15 The Classic Era 117
26. 16 NEW CROOK SYSTEMS 140
27. 17 THE CLASSICAL REPERTOIRE 171
28. 18 THE HEYDAY OF THE HAND HORN 183
29. 19 TRANSITIONAL SYSTEMS 212
30. PART III
31. 20 Valve Horns 225
32. 21 FURTHER VALVE SYSTEMS 237
33. 22 REPORTS BY CONTEMPORARIES 257
34. 23 EARLY MUSIC LITERATURE 266
35. 24 VALVE DISSEMINATION: A REGIONAL OVERVIEW 281
36. 25 A FEW LEADING COMPOSERS 307
37. 26 DOUBLE HORN 308
38. 27 THE HORN IN THE SECOND HALF OF THE TWENTIETH CENTURY 324
39. 28 THE REPERTOIRE OF THE SECOND HALF OF THE TWENTIETH CENTURY 331
40. 29 THE PRESENT-DAY HORN 337
41. BIBLIOGRAPHY 340
42. INDEX 363
43. Appendix I NOTATION 379
44. Appendix II HIGH VS. LOW HORN IN HAYDN’S SYMPHONIES 394
45. NOTES TO PART I
46. 1 PRELIMINARY NOTE ON ROMAN MILITARY INSTRUMENTS 407
47. 2 EARLY HORNS AND CALLS 410
48. 3 THE COILED TROMPE 411
49. 4 SPIRAL INSTRUMENTS 414
50. 5 EARLY FRENCH HUNTING FANFARES 417
51. 6 HOOPED MODELS 418
52. 7 PRESERVED INSTRUMENTS 420
53. 8 VON SPORCK AND THE TROMPE DE CHASSE 427
54. 9 THE NATURAL HUNTING HORN (JAGDWALDHORN) 429
55. 10 TRUMPET AND HORN PLAYERS 442
56. 11 THE NATURAL HORN AT ITS ZENITH (ORCHESTERWALDHORN) 446
57. 12 DUETS 454
58. 13 FOUR CASE STUDIES: VIVALDI, BACH, HANDEL, TELEMANN 457
59. NOTES TO PART II
60. 15 THE CLASSIC ERA 477
61. 16 NEW CROOK SYSTEMS 486
62. 17 THE CLASSICAL REPERTOIRE 493
63. 18 THE HEYDAY OF THE HAND HORN 510
64. 19 TRANSITIONAL SYSTEMS 528
65. NOTES TO PART III
66. 20 VALVE HORNS 533
67. 21 FURTHER VALVE SYSTEMS 540
68. 22 REPORTS BY CONTEMPORARIES 548
69. 23 EARLY MUSIC LITERATURE 550
70. 24 VALVE DISSEMINATION: A REGIONAL OVERVIEW 569
71. 25 A FEW LEADING COMPOSERS 578
72. 26 DOUBLE HORN 602
73. 27 THE HORN IN THE SECOND HALF OF THE TWENTIETH CENTURY 609
74. 28 THE REPERTOIRE OF THE SECOND HALF OF THE TWENTIETH CENTURY 612