Chapters in this book

1. Frontmatter i
2. CONTENTS vii
3. ILLUSTRATIONS xiii
4. TABLES xv
5. MUSICAL EXAMPLES xvii
6. ACKNOWLEDGEMENTS xxiii
7. PROLOGUE: BECOMING SCHUBERT 1
8. I BEARINGS
9. 1 THE FAMILY BEFORE SCHUBERT 21
10. 2 THE ORIGINS OF A COMPOSER (1797–1813) 33
11. 3 SALIERI, PARTIMENTO AND THE BEGINNINGS OF CREATION 57
12. 4 THE MAKINGS OF A COMPOSER (1812–1813) 87
13. 5 PLACE AND DISPLACEMENT (1813–1814) 108
14. 6 SCHUBERT AS A CHURCH MUSIC COMPOSER 125
15. 7 AWAKENINGS 155
16. 8 UNSUNG SCHUBERT: APPRENTICESHIP IN OPERA 191
17. 9 THE PROMISE OF FREEDOM (1816–1818) 207
18. II FRIENDSHIPS
19. 10 ARS AMICITIA: ART OF FRIENDSHIP 237
20. 11 ARS AMICITIAE: ART BORN OF FRIENDSHIP 253
21. 12 ART BORN OF IMPROVISATION 281
22. III CRISES
23. 13 IN THE DOLDRUMS (1817–1818) 303
24. 14 SCHUBERT’S ‘DOUBLE NATURE’ (1819–1822) 321
25. 15 SECRETS OF THE SELF 340
26. 16 THE WATERSHED (1822–1824) 358
27. 17 ‘ART BORN OF SORROW’: SCHUBERT’S ‘UNFINISHED’ 381
28. 18 SONGS OF A WAYFARER (1822–1824) 404
29. 19 HIGH WINDOWS OF ZSELIZ 420
30. IV ESSENCE
31. 20 AFTER THE CRISES: THE SPIRIT OF BEAUTY AND ITS FATE 433
32. 21 LATE SACRED MUSIC AS A SITE OF THEOLOGY? 465
33. 22 DE PROFUNDIS: FINAL SONGS 486
34. 23 THE FINAL YEAR (1828) 511
35. 24 LACRIMAE RERUM: BURIAL AT WÄHRING 537
36. CHRONOLOGY 546
37. NOTES 606
38. SELECT BIBLIOGRAPHY 653
39. INDEX OF SCHUBERT’S WORKS 671
40. INDEX 678