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TODAY’S PIANO STYLES: MINIMALISM AND HISTORICAL AWARENESS

  • Susan Tomes
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The Piano
This chapter is in the book The Piano
© Yale University Press, New Haven

© Yale University Press, New Haven

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. Author’s Note x
  4. Introduction 1
  5. PRE-HISTORY: FROM HARPSICHORD TO PIANO 9
  6. FROM HAYDN TO SCHUBERT: MUSIC FOR THE DEVELOPING ‘FORTEPIANO’ 31
  7. FROM THE MENDELSSOHNS TO DVORÁK: THE GROWING POWER OF THE NINETEENTH-CENTURY PIANO 91
  8. FROM GRIEG TO RAVEL: INTO THE TWENTIETH CENTURY 175
  9. FROM IVES TO GUBAIDULINA: ‘STAND UP AND TAKE YOUR DISSONANCE LIKE A MAN!’ 239
  10. THE JAZZ INFLUENCE 289
  11. TODAY’S PIANO STYLES: MINIMALISM AND HISTORICAL AWARENESS 325
  12. Tomorrow’s World: Where is Piano Music Heading? 339
  13. Further Reading 350
  14. Index 353
https://doi.org/10.12987/9780300262865-009

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. Author’s Note x
  4. Introduction 1
  5. PRE-HISTORY: FROM HARPSICHORD TO PIANO 9
  6. FROM HAYDN TO SCHUBERT: MUSIC FOR THE DEVELOPING ‘FORTEPIANO’ 31
  7. FROM THE MENDELSSOHNS TO DVORÁK: THE GROWING POWER OF THE NINETEENTH-CENTURY PIANO 91
  8. FROM GRIEG TO RAVEL: INTO THE TWENTIETH CENTURY 175
  9. FROM IVES TO GUBAIDULINA: ‘STAND UP AND TAKE YOUR DISSONANCE LIKE A MAN!’ 239
  10. THE JAZZ INFLUENCE 289
  11. TODAY’S PIANO STYLES: MINIMALISM AND HISTORICAL AWARENESS 325
  12. Tomorrow’s World: Where is Piano Music Heading? 339
  13. Further Reading 350
  14. Index 353
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