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Chapters in this book
- Frontmatter i
- CONTENTS vii
- ILLUSTRATIONS viii
- ACKNOWLEDGEMENTS xiii
- 1. Shelley Burning: The Mediterranean and British Culture 1
- 2. The Antique, the Noble and the Stupendous: The Turn to the Mediterranean, 1740–1800 23
- 3. The Distorted Mirror: The South in British Culture during the Age of Byron, 1800–30 65
- 4. Blue Solitudes: The Mediterranean and the Shaping of Victorian Britain, 1830–60 117
- 5. An Enchanted Garden: The Mediterranean and the Aesthetics of High Victorianism, 1860–90 165
- 6. The Cult of Beauty: The Mediterranean and British Modernism, 1890–1918 208
- 7. That Splendid Enclosure: Meanings of the Mediterranean 225 from Rupert Brooke to Damien Hirst 241
- NOTES 279
- SELECT BIBLIOGRAPHY 313
- INDEX 322
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ILLUSTRATIONS viii
- ACKNOWLEDGEMENTS xiii
- 1. Shelley Burning: The Mediterranean and British Culture 1
- 2. The Antique, the Noble and the Stupendous: The Turn to the Mediterranean, 1740–1800 23
- 3. The Distorted Mirror: The South in British Culture during the Age of Byron, 1800–30 65
- 4. Blue Solitudes: The Mediterranean and the Shaping of Victorian Britain, 1830–60 117
- 5. An Enchanted Garden: The Mediterranean and the Aesthetics of High Victorianism, 1860–90 165
- 6. The Cult of Beauty: The Mediterranean and British Modernism, 1890–1918 208
- 7. That Splendid Enclosure: Meanings of the Mediterranean 225 from Rupert Brooke to Damien Hirst 241
- NOTES 279
- SELECT BIBLIOGRAPHY 313
- INDEX 322