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Frontmatter
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Introduction xiii
- 1. Conversion, Message, Medium, Transformation: Dostoevsky and the Peasants 1
- 2. Guilt, Repentance, and the Pursuit of Art in The House of the Dead 22
- 3. Crime and Punishment in the Classroom: The Elephant in the Garden 44
- 4. The Gospel According to Dostoevsky: Paradox, Plot, and Parable 68
- 5. Transformations, Exposures, and Intimations of Rousseau in The Possessed 86
- 6. Unsealing the Generic Envelope and Deciphering ‘‘The Dream of a Ridiculous Man’’ 105
- 7. Evocations and Revocations of Anxiety in the Metaphysical Novel: Reading The Brothers Karamazov through the Lens of Melmoth the Wanderer 128
- 8. Perilous Journeys to Conversion: Adventures in Time and Space 148
- Concluding Fragments: Some Last Words 173
- Notes 189
- Index 231
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Introduction xiii
- 1. Conversion, Message, Medium, Transformation: Dostoevsky and the Peasants 1
- 2. Guilt, Repentance, and the Pursuit of Art in The House of the Dead 22
- 3. Crime and Punishment in the Classroom: The Elephant in the Garden 44
- 4. The Gospel According to Dostoevsky: Paradox, Plot, and Parable 68
- 5. Transformations, Exposures, and Intimations of Rousseau in The Possessed 86
- 6. Unsealing the Generic Envelope and Deciphering ‘‘The Dream of a Ridiculous Man’’ 105
- 7. Evocations and Revocations of Anxiety in the Metaphysical Novel: Reading The Brothers Karamazov through the Lens of Melmoth the Wanderer 128
- 8. Perilous Journeys to Conversion: Adventures in Time and Space 148
- Concluding Fragments: Some Last Words 173
- Notes 189
- Index 231