Kapitel
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III. Knowing, Change, and Good and Bad Expectations
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Leonard Shengold
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
- I. A Literary Example of Haunting 1
- II. A Clinical Illustration of Some of My Main Themes 20
- III. Knowing, Change, and Good and Bad Expectations 28
- IV. Beginnings and Wordsworth’s “Immortality Ode” 38
- V. Change Means Loss: Spring and Summer Must Become Winter 50
- VI. The Myth of Demeter and Persephone 65
- VII. Another Dream of Death in a Garden 71
- VIII. A Clinical and a Literary Example 77
- IX. A Second Literary Example 101
- X. A Third Literary Example 131
- XI. On Listening, Knowing, and Owning 177
- XII. Gardens, Unweeded Gardens, and the Garden of Eden— Death and Transience 191
- XIII. “The promise” and Ibsen’s A Doll’s House and Hedda Gabler 197
- XIV. What Do I Know? 221
- Postscript: Two Relevant Quotations 232
- Appendix: Hartmann on the Genetic Point of View and Object Constancy 235
- References 243
- Index 249
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
- I. A Literary Example of Haunting 1
- II. A Clinical Illustration of Some of My Main Themes 20
- III. Knowing, Change, and Good and Bad Expectations 28
- IV. Beginnings and Wordsworth’s “Immortality Ode” 38
- V. Change Means Loss: Spring and Summer Must Become Winter 50
- VI. The Myth of Demeter and Persephone 65
- VII. Another Dream of Death in a Garden 71
- VIII. A Clinical and a Literary Example 77
- IX. A Second Literary Example 101
- X. A Third Literary Example 131
- XI. On Listening, Knowing, and Owning 177
- XII. Gardens, Unweeded Gardens, and the Garden of Eden— Death and Transience 191
- XIII. “The promise” and Ibsen’s A Doll’s House and Hedda Gabler 197
- XIV. What Do I Know? 221
- Postscript: Two Relevant Quotations 232
- Appendix: Hartmann on the Genetic Point of View and Object Constancy 235
- References 243
- Index 249