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        6. A Testimony: Shostakovich’s Fourth Symphony and the End of Romantic Narrative
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        Boris Gasparov
        
 
                                    
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                                            Kapitel in diesem Buch
- Frontmatter i
 - Contents ix
 - Acknowledgments xi
 - Introduction: In the Shadow of Literature xiii
 - 1. Sound and Discourse: On Russian National Musical Style 1
 - 2. Farewell to the Enchanted Garden: Pushkin, Glinka’s Ruslan and Ludmila, and Nicholas’s Russia 23
 - 3. Eugene Onegin in the Age of Realism 58
 - 4. Khovanshchina: A Musical Drama, Russian-Style (Wagner and Musorgsky) 95
 - 5. Lost in a Symbolist City: Multiple Chronotopes in Chaikovsky’s The Queen of Spades 132
 - 6. A Testimony: Shostakovich’s Fourth Symphony and the End of Romantic Narrative 161
 - 7. ‘‘Popolo di Pekino’’: Musorgsky’s Muscovy in Early Twentieth-Century Europe 185
 - Epilogue 209
 - Notes 219
 - Index 255
 
Kapitel in diesem Buch
- Frontmatter i
 - Contents ix
 - Acknowledgments xi
 - Introduction: In the Shadow of Literature xiii
 - 1. Sound and Discourse: On Russian National Musical Style 1
 - 2. Farewell to the Enchanted Garden: Pushkin, Glinka’s Ruslan and Ludmila, and Nicholas’s Russia 23
 - 3. Eugene Onegin in the Age of Realism 58
 - 4. Khovanshchina: A Musical Drama, Russian-Style (Wagner and Musorgsky) 95
 - 5. Lost in a Symbolist City: Multiple Chronotopes in Chaikovsky’s The Queen of Spades 132
 - 6. A Testimony: Shostakovich’s Fourth Symphony and the End of Romantic Narrative 161
 - 7. ‘‘Popolo di Pekino’’: Musorgsky’s Muscovy in Early Twentieth-Century Europe 185
 - Epilogue 209
 - Notes 219
 - Index 255