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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
- One. 1700 to 1770s: The Need for the Piano 7
- Two. Designing, Making, and Selling Pianos 26
- Three. 1770s to 1820s: The Piano Revolution in the Age of Revolutions 64
- Four. The Piano Lesson 110
- Five. 1820s to 1870s: The Piano Calls the Tune 150
- Six. The Concert and the Virtuoso 184
- Seven. 1870s to 1920s: The World’s the Limit 224
- Eight. Hollywood’s Embattled Icon 262
- Nine. 1920s to 2000: New Voices from the Old Impersonator 288
- Afterword: Making the Piano Historical 321
- Notes 327
- Recommended Readings 363
- Contributors 369
- Index 373
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
- One. 1700 to 1770s: The Need for the Piano 7
- Two. Designing, Making, and Selling Pianos 26
- Three. 1770s to 1820s: The Piano Revolution in the Age of Revolutions 64
- Four. The Piano Lesson 110
- Five. 1820s to 1870s: The Piano Calls the Tune 150
- Six. The Concert and the Virtuoso 184
- Seven. 1870s to 1920s: The World’s the Limit 224
- Eight. Hollywood’s Embattled Icon 262
- Nine. 1920s to 2000: New Voices from the Old Impersonator 288
- Afterword: Making the Piano Historical 321
- Notes 327
- Recommended Readings 363
- Contributors 369
- Index 373