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8. A Movement Away From Empiricism, Towards the ‘one Life’ Idea: 1799–1803
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Chapters in this book
- Prelim pages i
- Acknowledgements vii
- Table of contents ix
- Introduction 1
- 1. The Eighteenth Century Tradition of Nature Poetry 13
- 2. The Traditional Character of Coleridge’s Early Poetry 25
- 3. The 1796 Poems and their Philosophical Background 33
- 4. Coleridge and Wordsworth in 1797; Their Interest in Evil and Alienation 55
- 5. Alienation Reconsidered: ‘The Ancient Mariner’ 65
- 6. ‘Frost at Midnight’: A Companion Piece to ‘The Ancient Mariner’ 95
- 7. A Brief Survey of Continental Ideas on Man and Nature 103
- 8. A Movement Away From Empiricism, Towards the ‘one Life’ Idea: 1799–1803 117
- 9. The ‘one Life’ and Alienation: ‘Dejection: an Ode’ 133
- 10. ‘Kubla Khan’ and its Ideational Resemblance to ‘Dejection: an Ode’ 147
- 11. Reality and Dream: Romantic Irony in ‘The Picture’ 153
- Conclusion 169
- Notes 173
- Bibliography 203
- Index 209
- Index of Coleridge’s works 213
Chapters in this book
- Prelim pages i
- Acknowledgements vii
- Table of contents ix
- Introduction 1
- 1. The Eighteenth Century Tradition of Nature Poetry 13
- 2. The Traditional Character of Coleridge’s Early Poetry 25
- 3. The 1796 Poems and their Philosophical Background 33
- 4. Coleridge and Wordsworth in 1797; Their Interest in Evil and Alienation 55
- 5. Alienation Reconsidered: ‘The Ancient Mariner’ 65
- 6. ‘Frost at Midnight’: A Companion Piece to ‘The Ancient Mariner’ 95
- 7. A Brief Survey of Continental Ideas on Man and Nature 103
- 8. A Movement Away From Empiricism, Towards the ‘one Life’ Idea: 1799–1803 117
- 9. The ‘one Life’ and Alienation: ‘Dejection: an Ode’ 133
- 10. ‘Kubla Khan’ and its Ideational Resemblance to ‘Dejection: an Ode’ 147
- 11. Reality and Dream: Romantic Irony in ‘The Picture’ 153
- Conclusion 169
- Notes 173
- Bibliography 203
- Index 209
- Index of Coleridge’s works 213