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Chapter 7. Breaking the fourth wall

The pragmatic functions of the second person pronoun in House of Cards
  • Sandrine Sorlin
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The Pragmatics of Personal Pronouns
This chapter is in the book The Pragmatics of Personal Pronouns

Abstract

This paper focuses on the American TV series version of House of Cards, paying specific attention to the second person pronoun used by the protagonist (Francis Underwood) in his address to the viewer, thus breaking the classical fourth wall. It both evinces the similarities of the use of the second person pronoun in literature and in the TV series and highlights the differences due to the specificity of the TV medium. It also points out the subtle manipulation of the viewer generated by the versatile nature and various pragmatic functions of “you” in House of Cards. Leaning on psycho-cognitive research, it finally discusses the success of the series in assigning the viewer the place of the protagonist’s complicit partner.

Abstract

This paper focuses on the American TV series version of House of Cards, paying specific attention to the second person pronoun used by the protagonist (Francis Underwood) in his address to the viewer, thus breaking the classical fourth wall. It both evinces the similarities of the use of the second person pronoun in literature and in the TV series and highlights the differences due to the specificity of the TV medium. It also points out the subtle manipulation of the viewer generated by the versatile nature and various pragmatic functions of “you” in House of Cards. Leaning on psycho-cognitive research, it finally discusses the success of the series in assigning the viewer the place of the protagonist’s complicit partner.

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. Chapter 1. Personal pronouns 1
  4. PART I. Personal pronouns beyond syntax: Competing forms in context
  5. Chapter 2. She said “I don’t like her and her don’t like me” 27
  6. Chapter 3. Free self-forms in discourse-pragmatic functions 45
  7. Chapter 4. Sex-indefinite references to human beings in American English 69
  8. PART II. First and second person pronouns across genres: Advertising, TV series and literature
  9. Chapter 5. ‘ Loquor, ergo sum’ 95
  10. Chapter 6. ‘You’ and ‘I’ in charity fundraising appeals 105
  11. Chapter 7. Breaking the fourth wall 125
  12. Chapter 8. How do person deictics construct roles for the reader? 147
  13. PART III. Referring to the self and the addressee in context of interaction
  14. Chapter 9. First and second person pronouns in two mother-child dyads 173
  15. chapter 10. Pronouns and sociospatial ordering in conversation and fiction 195
  16. Chapter 11. Referring to oneself in the third person 215
  17. PART IV. The pragmatics of impersonal and antecedentless pronouns
  18. Chapter 12. Interpreting antecedentless pronouns in narrative texts 241
  19. Chapter 13. The infinite present 259
  20. Chapter 14. Pragmatic and stylistic uses of personal pronoun one 275
  21. Chapter 15. Impersonal uses of the second person singular and generalized empathy 311
  22. Index 335
https://doi.org/10.1075/slcs.171.07sor

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. Chapter 1. Personal pronouns 1
  4. PART I. Personal pronouns beyond syntax: Competing forms in context
  5. Chapter 2. She said “I don’t like her and her don’t like me” 27
  6. Chapter 3. Free self-forms in discourse-pragmatic functions 45
  7. Chapter 4. Sex-indefinite references to human beings in American English 69
  8. PART II. First and second person pronouns across genres: Advertising, TV series and literature
  9. Chapter 5. ‘ Loquor, ergo sum’ 95
  10. Chapter 6. ‘You’ and ‘I’ in charity fundraising appeals 105
  11. Chapter 7. Breaking the fourth wall 125
  12. Chapter 8. How do person deictics construct roles for the reader? 147
  13. PART III. Referring to the self and the addressee in context of interaction
  14. Chapter 9. First and second person pronouns in two mother-child dyads 173
  15. chapter 10. Pronouns and sociospatial ordering in conversation and fiction 195
  16. Chapter 11. Referring to oneself in the third person 215
  17. PART IV. The pragmatics of impersonal and antecedentless pronouns
  18. Chapter 12. Interpreting antecedentless pronouns in narrative texts 241
  19. Chapter 13. The infinite present 259
  20. Chapter 14. Pragmatic and stylistic uses of personal pronoun one 275
  21. Chapter 15. Impersonal uses of the second person singular and generalized empathy 311
  22. Index 335
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