John Benjamins Publishing Company
Chapter 10. Confessional poetry
Abstract
This paper addresses identity construction in confessional poetry and explores three poems by Anne Sexton in closer detail. It shows that identity in lyrical texts can be discussed more poignantly by using the concept of narrative identity. A close reading of the three poems reveals three different self-concepts, the possibility of multiple selves, and the notion of permanent self-actualization through narrative. Furthermore, this paper suggests that narrative identity theory concentrates too much on conventional narratological frames such as narrative coherence. The reading of lyric poetry extends the narratological settings especially with respect to time. Therefore, this paper suggests that analyzing narrative identity in literary texts contributes to our general understanding of narrative identity. In addition, it draws attention to the connection between identity and emotion. It shows that lyric poetry evokes emotions not only through narrative, but also with the help of non-narrative devices. As a result, the paper demonstrates that emotions influence the identity-process and challenge a purely rational understanding of narrative identity.
Abstract
This paper addresses identity construction in confessional poetry and explores three poems by Anne Sexton in closer detail. It shows that identity in lyrical texts can be discussed more poignantly by using the concept of narrative identity. A close reading of the three poems reveals three different self-concepts, the possibility of multiple selves, and the notion of permanent self-actualization through narrative. Furthermore, this paper suggests that narrative identity theory concentrates too much on conventional narratological frames such as narrative coherence. The reading of lyric poetry extends the narratological settings especially with respect to time. Therefore, this paper suggests that analyzing narrative identity in literary texts contributes to our general understanding of narrative identity. In addition, it draws attention to the connection between identity and emotion. It shows that lyric poetry evokes emotions not only through narrative, but also with the help of non-narrative devices. As a result, the paper demonstrates that emotions influence the identity-process and challenge a purely rational understanding of narrative identity.
Chapters in this book
- Prelim pages i
- Table of contents v
- Introduction. Rethinking narrative identity 1
- Chapter 1. Identity and empathy 33
- Chapter 2. Axes of identity 49
- Chapter 3. The quest for a third space 69
- Chapter 4. Constructing perspectives as positioning resources in stories of the self 85
- Chapter 5. Referential frameworks and focalization in a craft artist’s life story 103
- Chapter 6. Strange perspectives = strange (narrative?) identities? 117
- Chapter 7. “Indefinite, sketchy, but not entirely obliterated” 129
- Chapter 8. Creative confession 147
- Chapter 9. The queer self and the snares of heteronormativity 171
- Chapter 10. Confessional poetry 187
- Contributors 203
- Index 207
Chapters in this book
- Prelim pages i
- Table of contents v
- Introduction. Rethinking narrative identity 1
- Chapter 1. Identity and empathy 33
- Chapter 2. Axes of identity 49
- Chapter 3. The quest for a third space 69
- Chapter 4. Constructing perspectives as positioning resources in stories of the self 85
- Chapter 5. Referential frameworks and focalization in a craft artist’s life story 103
- Chapter 6. Strange perspectives = strange (narrative?) identities? 117
- Chapter 7. “Indefinite, sketchy, but not entirely obliterated” 129
- Chapter 8. Creative confession 147
- Chapter 9. The queer self and the snares of heteronormativity 171
- Chapter 10. Confessional poetry 187
- Contributors 203
- Index 207
