Artists-in-progress
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Linda Sandino
Abstract
Following Paul Ricoeur’s formulation of narrative identity as the dialectic of sameness (idem-) and change (ipse-)identity, this chapter explores the trope of incompleteness in extracts from two artists’ life stories to suggest that the synthesizing totality of the life history is continually interrupted, or broken, by accounts of new creative directions and the search for symbolic expression which mark the ipse-identity of the artist’s selfhood. A coherent identity does not just refer to the singularity of that self but must also contend with the ascription of ‘artist’, the historical and cultural contingency of which is made manifest in the testimony of the life stories. Rather than seeing narrative emplotment leading towards a culmination or conclusion [“I became an artist”], narrative constitutes the means whereby the ‘discordant concordance’ of the temporal aporia of becoming and being an artist is enabled via the reflective ipseity that marks narrative identity’s fractures and disruptions.
Abstract
Following Paul Ricoeur’s formulation of narrative identity as the dialectic of sameness (idem-) and change (ipse-)identity, this chapter explores the trope of incompleteness in extracts from two artists’ life stories to suggest that the synthesizing totality of the life history is continually interrupted, or broken, by accounts of new creative directions and the search for symbolic expression which mark the ipse-identity of the artist’s selfhood. A coherent identity does not just refer to the singularity of that self but must also contend with the ascription of ‘artist’, the historical and cultural contingency of which is made manifest in the testimony of the life stories. Rather than seeing narrative emplotment leading towards a culmination or conclusion [“I became an artist”], narrative constitutes the means whereby the ‘discordant concordance’ of the temporal aporia of becoming and being an artist is enabled via the reflective ipseity that marks narrative identity’s fractures and disruptions.
Chapters in this book
- Prelim pages i
- Table of contents v
- Beyond narrative coherence 1
- Weird stories 17
- Identity, self, narrative 33
- ‘Mind-reading’, a method for understanding the broken narrative of an aphasic man 49
- Broken narratives, visual forces 67
- Artists-in-progress 87
- Breaking of self-narrative as a means of reorientation? 103
- “There is no fear in my lexicon” vs. “You are not normal if you won’t be scared” 121
- Beyond narrative 147
- Afterword 167
- Index 191
- List of contributors 187
Chapters in this book
- Prelim pages i
- Table of contents v
- Beyond narrative coherence 1
- Weird stories 17
- Identity, self, narrative 33
- ‘Mind-reading’, a method for understanding the broken narrative of an aphasic man 49
- Broken narratives, visual forces 67
- Artists-in-progress 87
- Breaking of self-narrative as a means of reorientation? 103
- “There is no fear in my lexicon” vs. “You are not normal if you won’t be scared” 121
- Beyond narrative 147
- Afterword 167
- Index 191
- List of contributors 187
