John Benjamins Publishing Company
Oral historian: Neither moralizer nor informer
Abstract
In this paper, I discuss oral historian’s roles in interviews in which crimes are revealed. First, I look at cases with the primary aim to collect information about statute-barred crimes. Second, I discuss cases in which the researcher does not study crimes, but the interviewee wants to disclose them. In the first case, the historian encourages the narrator to talk about crimes; in the second case she encourages her to keep silent. Oral historian should never accuse, reproach, or give therapy. She should not inform the authorities but encourage the narrator to do it herself. Finally, I suggest that the oral historian should be bound to professional secrecy.
Abstract
In this paper, I discuss oral historian’s roles in interviews in which crimes are revealed. First, I look at cases with the primary aim to collect information about statute-barred crimes. Second, I discuss cases in which the researcher does not study crimes, but the interviewee wants to disclose them. In the first case, the historian encourages the narrator to talk about crimes; in the second case she encourages her to keep silent. Oral historian should never accuse, reproach, or give therapy. She should not inform the authorities but encourage the narrator to do it herself. Finally, I suggest that the oral historian should be bound to professional secrecy.
Chapters in this book
- Prelim pages i
- Table of contents v
- List of editors and contributors vii
- Foreword ix
- From the editors xi
-
Section 1. Fieldwork challenges
- Trust in the empathic interview 3
- Oral historian: Neither moralizer nor informer 15
- Memorable belongings 27
- Oral history & e-research: Collecting memories of the 1960´s and 1970´s youth culture 35
- Oral history and political elites: Interviewing (and transcribing) lobbyists 47
-
Section 2. Doing gender
- Doing gender within oral history 63
- The dialogues in-between: A phenomenological perspective on women's oral history interviews 77
- The problems of articulating beingness in women's oral histories 87
-
Section 3. Behind and beyond the stories
- Conversations with survivors of the siege of Leningrad: Between myth and history 101
- Women soldiers and women prisoners: Oral testimonies of Ruta Czaplińska and Elżbieta Zawacka 115
- 'The stranger within my Gate': Irish emigrant narratives of exile, tradition and modernity in post-war Britain 129
-
Section 4. Public space challenges
- Painting in sound: Aural history and audio art 147
- Oral history as a dialogue with the Polish-Jewish past of a local community from the perspective of social pedagogy 169
- Sharing oral history with the wider public: Experiences of the Refugee Communities History Project 179
-
Section 5. Story - oral history - historiography
- The ethics of oral history: Expectations, responsibilities, and dissociations 195
- Life story interviews and the "Truth of Memory": Some aspects of oral history from a historico-philosophical perspective 205
- Index 217
Chapters in this book
- Prelim pages i
- Table of contents v
- List of editors and contributors vii
- Foreword ix
- From the editors xi
-
Section 1. Fieldwork challenges
- Trust in the empathic interview 3
- Oral historian: Neither moralizer nor informer 15
- Memorable belongings 27
- Oral history & e-research: Collecting memories of the 1960´s and 1970´s youth culture 35
- Oral history and political elites: Interviewing (and transcribing) lobbyists 47
-
Section 2. Doing gender
- Doing gender within oral history 63
- The dialogues in-between: A phenomenological perspective on women's oral history interviews 77
- The problems of articulating beingness in women's oral histories 87
-
Section 3. Behind and beyond the stories
- Conversations with survivors of the siege of Leningrad: Between myth and history 101
- Women soldiers and women prisoners: Oral testimonies of Ruta Czaplińska and Elżbieta Zawacka 115
- 'The stranger within my Gate': Irish emigrant narratives of exile, tradition and modernity in post-war Britain 129
-
Section 4. Public space challenges
- Painting in sound: Aural history and audio art 147
- Oral history as a dialogue with the Polish-Jewish past of a local community from the perspective of social pedagogy 169
- Sharing oral history with the wider public: Experiences of the Refugee Communities History Project 179
-
Section 5. Story - oral history - historiography
- The ethics of oral history: Expectations, responsibilities, and dissociations 195
- Life story interviews and the "Truth of Memory": Some aspects of oral history from a historico-philosophical perspective 205
- Index 217