Chapter 13. A selective timeline of Othello in European culture

Kapitel in diesem Buch

1. Prelim pages i
2. Table of contents v
3. List of contributors vii
4. Introduction. “I would my [European] pilgrimage dilate” 1
5. Part 1. Trans(national) subjects
6. Chapter 1. Charles Mathews’s Othello, the Moor of Fleet Street (1833) and Maurice Dowling’s Othello Travestie (1834) 29
7. Chapter 2. Othello in Spain (1802–1844) 49
8. Chapter 3. Traditions of playing and spectating 63
9. Chapter 4. Othello on the German stage 81
10. Part 2. Othello and European constructions of alterity
11. Chapter 5. Othello’s race and slavery 99
12. Chapter 6. From black to white, from man to beast, from tragical to comical 113
13. Chapter 7. Let it be hid? 133
14. Chapter 8. “It is all about passion” 153
15. Part 3. Adapting Othello
16. Chapter 9. Adapting Othello for television in late Francoist Spain 173
17. Chapter 10. Pulling the strings 191
18. Chapter 11. The circumcised dog and the subtle whore 205
19. Chapter 12. “It is not words that shakes me thus” 225
20. Chapter 13. A selective timeline of Othello in European culture 247
21. Index 261