Chapter 2. Pragmatic noise in Shakespeare’s plays
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Jonathan Culpeper
Abstract
Pragmatic noise, first coined in Culpeper and Kytö (2010), refers to the semi-natural noises, such as ah, oh, and ha, that have evolved to express a range of pragmatic and discoursal functions. Taking advantage of the regularised spellings and grammatically tagged texts of the Enhanced Shakespearean Corpus (Culpeper 2019), this study considers the frequency, distribution and functions of pragmatic noise across Shakespeare’s plays and characters. It reveals and discusses, for example, the facts that: whilst particular types of pragmatic noise maintain a steady presence across all the plays, there is variation in token density; female characters have a much greater density of pragmatic noise tokens compared with male; and characters in the middle of the social hierarchy use pragmatic noise particularly often.
Abstract
Pragmatic noise, first coined in Culpeper and Kytö (2010), refers to the semi-natural noises, such as ah, oh, and ha, that have evolved to express a range of pragmatic and discoursal functions. Taking advantage of the regularised spellings and grammatically tagged texts of the Enhanced Shakespearean Corpus (Culpeper 2019), this study considers the frequency, distribution and functions of pragmatic noise across Shakespeare’s plays and characters. It reveals and discusses, for example, the facts that: whilst particular types of pragmatic noise maintain a steady presence across all the plays, there is variation in token density; female characters have a much greater density of pragmatic noise tokens compared with male; and characters in the middle of the social hierarchy use pragmatic noise particularly often.
Chapters in this book
- Prelim pages i
- Table of contents v
- List of contributors ix
- Foreword xi
- Chapter 1. Voices of English 1
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Part I. Early Modern English
- Chapter 2. Pragmatic noise in Shakespeare’s plays 11
- Chapter 3. Keywords that characterise Shakespeare’s (anti)heroes and villains 31
- Chapter 4. Revealing speech 47
- Chapter 5. Saying, crying, replying, and continuing 63
- Chapter 6. Interjections in early popular literature 79
- Chapter 7. Godly vocabulary in Early Modern English religious debate 95
- Chapter 8. Patterns of reader involvement on sixteenth-century English title pages, with special reference to second-person pronouns 113
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Part II. Late Modern English
- Chapter 9. Epistemic adverbs in the Old Bailey Corpus 133
- Chapter 10. Question strategies in the Old Bailey Corpus 153
- Chapter 11. Sure in Irish English 173
- Chapter 12. American English gotten 187
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Part III. Present-day English
- Chapter 13. Explaining explanatory so 207
- Chapter 14. Return to the future 227
- Chapter 15. Sort of and kind of from an English-Swedish perspective 247
- Chapter 16. From yes to innit 265
- Chapter 17. “If anyone would have told me, I would have not believed it” 283
- Chapter 18. Intensification in dialogue vs. narrative in a corpus of present-day English fiction 301
- Chapter 19. Orality on the searchable web 317
- Select list of publications by Merja Kytö 337
- Index 347
Chapters in this book
- Prelim pages i
- Table of contents v
- List of contributors ix
- Foreword xi
- Chapter 1. Voices of English 1
-
Part I. Early Modern English
- Chapter 2. Pragmatic noise in Shakespeare’s plays 11
- Chapter 3. Keywords that characterise Shakespeare’s (anti)heroes and villains 31
- Chapter 4. Revealing speech 47
- Chapter 5. Saying, crying, replying, and continuing 63
- Chapter 6. Interjections in early popular literature 79
- Chapter 7. Godly vocabulary in Early Modern English religious debate 95
- Chapter 8. Patterns of reader involvement on sixteenth-century English title pages, with special reference to second-person pronouns 113
-
Part II. Late Modern English
- Chapter 9. Epistemic adverbs in the Old Bailey Corpus 133
- Chapter 10. Question strategies in the Old Bailey Corpus 153
- Chapter 11. Sure in Irish English 173
- Chapter 12. American English gotten 187
-
Part III. Present-day English
- Chapter 13. Explaining explanatory so 207
- Chapter 14. Return to the future 227
- Chapter 15. Sort of and kind of from an English-Swedish perspective 247
- Chapter 16. From yes to innit 265
- Chapter 17. “If anyone would have told me, I would have not believed it” 283
- Chapter 18. Intensification in dialogue vs. narrative in a corpus of present-day English fiction 301
- Chapter 19. Orality on the searchable web 317
- Select list of publications by Merja Kytö 337
- Index 347