Chapter
Licensed
Unlicensed
Requires Authentication
Playing with multiple voices
Emotivity and creativity in Japanese style mixture
-
Senko K. Maynard
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Prelim pages i
- Table of contents v
- Acknowledgements vii
- The messy reality of style shifting 1
- Style shifts in Japanese academic consultations 9
- Interpersonal functions of style shift 39
- Speech style shift as an interactional discourse strategy 71
- Playing with multiple voices 91
- Riyuu ‘Reason’ for nai desu and other semi-polite forms 131
- Masen or nai desu – That is the question 161
- The power of femininity 185
- Tuning speech style and persona 213
- Speech style and the use of regional (Yamaguchi) and Standard Japanese in conversations 229
- “Involved” speech style and deictic management of spatio-temporal and textual reference: A case of ko/so -deictics in Japanese 251
- Variation in prosodic focus of the Japanese negative nai 285
- Name index 329
- Subject index 333
Chapters in this book
- Prelim pages i
- Table of contents v
- Acknowledgements vii
- The messy reality of style shifting 1
- Style shifts in Japanese academic consultations 9
- Interpersonal functions of style shift 39
- Speech style shift as an interactional discourse strategy 71
- Playing with multiple voices 91
- Riyuu ‘Reason’ for nai desu and other semi-polite forms 131
- Masen or nai desu – That is the question 161
- The power of femininity 185
- Tuning speech style and persona 213
- Speech style and the use of regional (Yamaguchi) and Standard Japanese in conversations 229
- “Involved” speech style and deictic management of spatio-temporal and textual reference: A case of ko/so -deictics in Japanese 251
- Variation in prosodic focus of the Japanese negative nai 285
- Name index 329
- Subject index 333
