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Metaphor and the concept of sound in contemporary music

  • Ewa Schreiber
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Metaphor and Communication
This chapter is in the book Metaphor and Communication

Abstract

This chapter makes a contribution to musicological research into metaphor. Its purpose is to analyse the metaphorical concepts of sound in the ideas of three twentieth-century composers from France and Canada: Pierre Schaeffer (1910– 1995), Raymond Murray Schafer (born 1933) and Gérard Grisey (1946–1998). Analysis of the composers’ writings and opinions enables us to characterize the metaphors that influenced their creative imagination and aesthetic outlook. Their ideas focus on particular metaphors: of the sonic object (Schaeffer), the soundscape (Schafer), and the sound organism (Grisey). The conclusions drawn from a comparative analysis of the three composers’ ideas may contribute to the flourishing research into metaphor and provide new tools for research into contemporary music.

Abstract

This chapter makes a contribution to musicological research into metaphor. Its purpose is to analyse the metaphorical concepts of sound in the ideas of three twentieth-century composers from France and Canada: Pierre Schaeffer (1910– 1995), Raymond Murray Schafer (born 1933) and Gérard Grisey (1946–1998). Analysis of the composers’ writings and opinions enables us to characterize the metaphors that influenced their creative imagination and aesthetic outlook. Their ideas focus on particular metaphors: of the sonic object (Schaeffer), the soundscape (Schafer), and the sound organism (Grisey). The conclusions drawn from a comparative analysis of the three composers’ ideas may contribute to the flourishing research into metaphor and provide new tools for research into contemporary music.

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