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Chapter 8. Mapping the texture of the Berlin Wall
Metonymy, layered worlds, and critical Implicatures in Sarah Kirsch’s poem “Naturschutzgebiet/nature reserve”
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Chantelle Warner
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Chapters in this book
- Prelim pages i
- Table of contents v
- Acknowledgements vii
- List of tables ix
- List of figures xi
- Notes on contributors xiii
- Chapter 1. Introduction 1
- Chapter 2. Marked forms and indeterminate implicatures in Ernest Hemingway’s Fiesta: The Sun Also Rises 21
- Chapter 3. A Levinsonian account of irony in Jonathan Coe’s The Rotters’ Club 45
- Chapter 4. What the /fʌk/? An acoustic-pragmatic analysis of implicated meaning in a scene from The Wire 73
- Chapter 5. Misleading and relevance in Shakespeare’s Twelfth Night 93
- Chapter 6. Lexical pragmatics in the context of structural parallelism 115
- Chapter 7. “Lazy reading” and “half-formed things” 139
- Chapter 8. Mapping the texture of the Berlin Wall 165
- Chapter 9. James Hogg’s and Walter Scott’s Scottishness 191
- Name index 215
- Subject index 219
Chapters in this book
- Prelim pages i
- Table of contents v
- Acknowledgements vii
- List of tables ix
- List of figures xi
- Notes on contributors xiii
- Chapter 1. Introduction 1
- Chapter 2. Marked forms and indeterminate implicatures in Ernest Hemingway’s Fiesta: The Sun Also Rises 21
- Chapter 3. A Levinsonian account of irony in Jonathan Coe’s The Rotters’ Club 45
- Chapter 4. What the /fʌk/? An acoustic-pragmatic analysis of implicated meaning in a scene from The Wire 73
- Chapter 5. Misleading and relevance in Shakespeare’s Twelfth Night 93
- Chapter 6. Lexical pragmatics in the context of structural parallelism 115
- Chapter 7. “Lazy reading” and “half-formed things” 139
- Chapter 8. Mapping the texture of the Berlin Wall 165
- Chapter 9. James Hogg’s and Walter Scott’s Scottishness 191
- Name index 215
- Subject index 219
