Iconicity and the grammar–lexis interface
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Dylan Glynn
Abstract
This study examines the proposal in Cognitive Grammar (Langacker 1987, Talmy 2000) that grammatical classes are iconically motivated. The discussion follows a case-study to test this hypothesis. Using found data, we examine the productivity of a range of grammatical classes across Dutch, English, and German. The study bases its analysis on the lexical concept of precipitation. The perceptual and universal nature of such a concept should be a best-case scenario for the iconic motivation of grammatical classes. However, despite this, the test case produces mixed results. Although the hypothesis is not disproved, we reveal how it cannot, alone, explain the vagaries of lexical – class grammaticality.
Abstract
This study examines the proposal in Cognitive Grammar (Langacker 1987, Talmy 2000) that grammatical classes are iconically motivated. The discussion follows a case-study to test this hypothesis. Using found data, we examine the productivity of a range of grammatical classes across Dutch, English, and German. The study bases its analysis on the lexical concept of precipitation. The perceptual and universal nature of such a concept should be a best-case scenario for the iconic motivation of grammatical classes. However, despite this, the test case produces mixed results. Although the hypothesis is not disproved, we reveal how it cannot, alone, explain the vagaries of lexical – class grammaticality.
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface and acknowledgements vii
- List of Contributors ix
- Introduction: Insistent Images 1
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PART I. Iconicity and grammaticalization
- Putting grammaticalization to the iconicity test 17
- Iconic thumbs, pinkies and pointers 37
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PART II. Iconicity and the aural
- The physical basis for phonological iconicity 57
- Reading aloud and Charles Dickens’ aural iconic prose style 73
- Iconicity and the divine in the fin de siècle poetry of W.B. Yeats 91
- Is lámatyáve a linguistic heresy? 103
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PART III. Iconicity and the visual
- The beauty of life and the variety of signs 113
- Forms of restricted iconicity in modern avant-garde poetry 129
- Eco-Iconicity in the poetry and poem-groups of E.E. Cummings 155
- The language of film is a matrix of icons 173
- Liberature 191
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PART IV. Iconicity and conceptualization
- Meaning on the one and on the other hand 211
- Iconic text strategies 229
- ‘Damn mad’ 247
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PART V. Iconicity and structure
- Iconicity and the grammar–lexis interface 269
- Iconicity in the coding of pragmatic functions 289
- Double negation and iconicity 301
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PART VI. Iconicity and multimedia / intertextuality
- Iconicity in multimedia performance 323
- Author index 347
- Subject index 353
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface and acknowledgements vii
- List of Contributors ix
- Introduction: Insistent Images 1
-
PART I. Iconicity and grammaticalization
- Putting grammaticalization to the iconicity test 17
- Iconic thumbs, pinkies and pointers 37
-
PART II. Iconicity and the aural
- The physical basis for phonological iconicity 57
- Reading aloud and Charles Dickens’ aural iconic prose style 73
- Iconicity and the divine in the fin de siècle poetry of W.B. Yeats 91
- Is lámatyáve a linguistic heresy? 103
-
PART III. Iconicity and the visual
- The beauty of life and the variety of signs 113
- Forms of restricted iconicity in modern avant-garde poetry 129
- Eco-Iconicity in the poetry and poem-groups of E.E. Cummings 155
- The language of film is a matrix of icons 173
- Liberature 191
-
PART IV. Iconicity and conceptualization
- Meaning on the one and on the other hand 211
- Iconic text strategies 229
- ‘Damn mad’ 247
-
PART V. Iconicity and structure
- Iconicity and the grammar–lexis interface 269
- Iconicity in the coding of pragmatic functions 289
- Double negation and iconicity 301
-
PART VI. Iconicity and multimedia / intertextuality
- Iconicity in multimedia performance 323
- Author index 347
- Subject index 353
