Startseite Linguistik & Semiotik Chapter 6. Time-creation in film
Kapitel
Lizenziert
Nicht lizenziert Erfordert eine Authentifizierung

Chapter 6. Time-creation in film

An embodied cognitive perspective
  • Maarten Coëgnarts
Weitere Titel anzeigen von John Benjamins Publishing Company
Suche
Time Representations in the Perspective of Human Creativity
Ein Kapitel aus dem Buch Time Representations in the Perspective of Human Creativity

Abstract

This chapter aims to discuss the creation of time in cinema from an embodied cognitive perspective. Drawing on principles of Cognitive linguistics, we first discuss briefly how our ordinary thinking about time is informed by spatial knowledge. Knowing how space shapes temporal thought, we subsequently show how filmmakers may cue this spatio-temporal logic in the direction of two opposing models of time-creation in cinema: one model in which cinematic creativity serves the purpose of optimal narrative clarity, and another model in which creativity resolves around the opposite goal of spatio-temporal ambiguity. We illustrate both models through various case-examples drawn from classical narrative cinema and modern and postmodern art cinema, respectively.

Abstract

This chapter aims to discuss the creation of time in cinema from an embodied cognitive perspective. Drawing on principles of Cognitive linguistics, we first discuss briefly how our ordinary thinking about time is informed by spatial knowledge. Knowing how space shapes temporal thought, we subsequently show how filmmakers may cue this spatio-temporal logic in the direction of two opposing models of time-creation in cinema: one model in which cinematic creativity serves the purpose of optimal narrative clarity, and another model in which creativity resolves around the opposite goal of spatio-temporal ambiguity. We illustrate both models through various case-examples drawn from classical narrative cinema and modern and postmodern art cinema, respectively.

Kapitel in diesem Buch

  1. Prelim pages i
  2. Table of contents v
  3. Preface vii
  4. Introduction 1
  5. Part I. Time and creativity in language
  6. Chapter 1. A corpus-based look at time metaphors 15
  7. Chapter 2. Time moves more often in poetry 41
  8. Chapter 3. What is time? 61
  9. Chapter 4. Working on it 81
  10. Part II. Beyond language
  11. Chapter 5. Creative visual metaphors of protracted and frozen time in autobiographical comics about depression 101
  12. Chapter 6. Time-creation in film 125
  13. Chapter 7. Beyond the limits 147
  14. Chapter 8. From “slow lettuce” to “striated time” 163
  15. Chapter 9. Physical and imaginary landmarks in English time gestures 187
  16. Chapter 10. Time in Chinese hands 209
  17. Epilogue. Creative to whom, and on what basis? 233
  18. Index 243
https://doi.org/10.1075/hcp.75.06coe

Kapitel in diesem Buch

  1. Prelim pages i
  2. Table of contents v
  3. Preface vii
  4. Introduction 1
  5. Part I. Time and creativity in language
  6. Chapter 1. A corpus-based look at time metaphors 15
  7. Chapter 2. Time moves more often in poetry 41
  8. Chapter 3. What is time? 61
  9. Chapter 4. Working on it 81
  10. Part II. Beyond language
  11. Chapter 5. Creative visual metaphors of protracted and frozen time in autobiographical comics about depression 101
  12. Chapter 6. Time-creation in film 125
  13. Chapter 7. Beyond the limits 147
  14. Chapter 8. From “slow lettuce” to “striated time” 163
  15. Chapter 9. Physical and imaginary landmarks in English time gestures 187
  16. Chapter 10. Time in Chinese hands 209
  17. Epilogue. Creative to whom, and on what basis? 233
  18. Index 243
Jetzt anmelden und 20% sparen
Institutioneller Zugang
Wie funktioniert Authentifizierung?
Haben Sie eine Idee, wie wir unsere Website verbessern können?
Bitte schreiben Sie uns.
© 2025 De Gruyter Brill
Heruntergeladen am 16.9.2025 von https://www.degruyterbrill.com/document/doi/10.1075/hcp.75.06coe/pdf
Button zum nach oben scrollen