Kapitel
        
        
            
                    
        
                
                
                    
                
                
            
            
                
            
            
            
            
            
            
        
    
    
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        1.6 Poetry as Self-Consumption
Women Writers and Their Audiences in British and German Romanticism
            
        
    
    
    
    
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        Kari Lokke
        
                                    
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                                            Kapitel in diesem Buch
- Prelim pages i
- Table of contents v
- Introduction vii
- 
                            1. The Evolution of Sensibility and Representation
- 1.1 Autumn in the Romantic Lyric 3
- 1.2 Reflection as Mimetic Trope 23
- 1.3 On Romantic Cognition 39
- 1.4 Vörösmarty and the Poetic Fragment in Hungarian Romanticism 55
- 1.5 Loss and Expectation 63
- 1.6 Poetry as Self-Consumption 91
- 
                            2. The Evolution of Genre
- 2.1 Lyric Poetry in the Early Romantic Theory of the Schlegel Brothers 115
- 2.2 The Romantic Ode 143
- 2.3 The European Romantic Epic and the History of a Genre 163
- 2.4 The Sublime Sonnet in European Romanticism 181
- 2.5 Elegiac Muses 197
- 
                            3. Romantic Poetry and National Projects
- 3.1 Awakening Peripheries 225
- 3.2 “National Poets” in the Romantic Age 249
- 3.3 Romanian Poetry and the Great Romantic Narrative about the Mission of the Poet 257
- 3.4 Greek Romanticism: A Cosmopolitan Discourse 269
- 3.5 Time and History in Spanish Romantic Poetry 287
- 3.6 The Experience of the City in British Romantic Poetry 305
- 3.7 “Sons of Song” 333
- 3.8 Near the Rapids 355
- 3.9 Address and Its Dialectics in American Romantic Poetry 373
- 3.10 Romantic Poetry in Latin America 401
- 
                            4. Interpretations, Re-creations, and Performances of Romantic Poetry
- 4.1 Baudelaire’s Re-reading of Romanticism 419
- 4.2 Nachtigallenwahnsinn and Rabbinismus 443
- 4.3 Reception as Performance 461
- 4.4 Implications of an Influence 473
- 4.5 Organicist Poetics as Romantic Heritage? 491
- 4.6 The Uses of Romantic Poetry 509
- Index of Names 525
- Index of Titles 531
Kapitel in diesem Buch
- Prelim pages i
- Table of contents v
- Introduction vii
- 
                            1. The Evolution of Sensibility and Representation
- 1.1 Autumn in the Romantic Lyric 3
- 1.2 Reflection as Mimetic Trope 23
- 1.3 On Romantic Cognition 39
- 1.4 Vörösmarty and the Poetic Fragment in Hungarian Romanticism 55
- 1.5 Loss and Expectation 63
- 1.6 Poetry as Self-Consumption 91
- 
                            2. The Evolution of Genre
- 2.1 Lyric Poetry in the Early Romantic Theory of the Schlegel Brothers 115
- 2.2 The Romantic Ode 143
- 2.3 The European Romantic Epic and the History of a Genre 163
- 2.4 The Sublime Sonnet in European Romanticism 181
- 2.5 Elegiac Muses 197
- 
                            3. Romantic Poetry and National Projects
- 3.1 Awakening Peripheries 225
- 3.2 “National Poets” in the Romantic Age 249
- 3.3 Romanian Poetry and the Great Romantic Narrative about the Mission of the Poet 257
- 3.4 Greek Romanticism: A Cosmopolitan Discourse 269
- 3.5 Time and History in Spanish Romantic Poetry 287
- 3.6 The Experience of the City in British Romantic Poetry 305
- 3.7 “Sons of Song” 333
- 3.8 Near the Rapids 355
- 3.9 Address and Its Dialectics in American Romantic Poetry 373
- 3.10 Romantic Poetry in Latin America 401
- 
                            4. Interpretations, Re-creations, and Performances of Romantic Poetry
- 4.1 Baudelaire’s Re-reading of Romanticism 419
- 4.2 Nachtigallenwahnsinn and Rabbinismus 443
- 4.3 Reception as Performance 461
- 4.4 Implications of an Influence 473
- 4.5 Organicist Poetics as Romantic Heritage? 491
- 4.6 The Uses of Romantic Poetry 509
- Index of Names 525
- Index of Titles 531