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Chapter 3. Editorial cartoons and ART

Arguing with Pinocchio
  • Leo Groarke
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Abstract

Though they are often ignored in serious scholarship, editorial cartoons are an important vehicle for multimodal arguing. The present chapter outlines an “ART” approach to editorial cartoons which is rooted in contemporary argumentation theory. A series of examples are used to show how cartoons can be analyzed as instances of argument. To illustrate the significance of particular cartoon motifs, the chapter focuses on cartoons that depict political figures as Pinocchio – the magical wooden puppet in Carlo Collodi’s renowned children’s novel. In a number of ways, these cartoons challenge traditional assumptions that characterize conventional accounts of argument – among them, the common claim that pictures cannot negate.

Abstract

Though they are often ignored in serious scholarship, editorial cartoons are an important vehicle for multimodal arguing. The present chapter outlines an “ART” approach to editorial cartoons which is rooted in contemporary argumentation theory. A series of examples are used to show how cartoons can be analyzed as instances of argument. To illustrate the significance of particular cartoon motifs, the chapter focuses on cartoons that depict political figures as Pinocchio – the magical wooden puppet in Carlo Collodi’s renowned children’s novel. In a number of ways, these cartoons challenge traditional assumptions that characterize conventional accounts of argument – among them, the common claim that pictures cannot negate.

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