Chapter 5. A modest proposal in The Gentleman’s Magazine
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Howard Sklar
and Irma Taavitsainen
Abstract
The Gentleman’s Magazine (GM, 1732–1922) was the first periodical magazine targeted at an educated lay readership from polite society. Medical items and related issues were a regular feature, e.g. suicide was a recurring topic in its early years. One example of this was a 1755 mock advertisement advocating a discreet “remedy against life” suitable to “any nobleman, gentleman, or other man of wit, humour, and pleasure”. We approach our task from the point of view of historical pragmatics paying attention to the sociocultural context, and providing a rhetorical analysis to make sense of this peculiar advertisement. The ad seems to build on the dark side of a recently-deceased (1751), notorious Tory politician, who had been a central figure of polite society for decades, but the actual target of the satire must have been something else. We argue that the sociohistorical context with its shared knowledge, as well as the rhetorical structure and stylistic content of the ad itself, provide keys for making sense of the text.
Abstract
The Gentleman’s Magazine (GM, 1732–1922) was the first periodical magazine targeted at an educated lay readership from polite society. Medical items and related issues were a regular feature, e.g. suicide was a recurring topic in its early years. One example of this was a 1755 mock advertisement advocating a discreet “remedy against life” suitable to “any nobleman, gentleman, or other man of wit, humour, and pleasure”. We approach our task from the point of view of historical pragmatics paying attention to the sociocultural context, and providing a rhetorical analysis to make sense of this peculiar advertisement. The ad seems to build on the dark side of a recently-deceased (1751), notorious Tory politician, who had been a central figure of polite society for decades, but the actual target of the satire must have been something else. We argue that the sociohistorical context with its shared knowledge, as well as the rhetorical structure and stylistic content of the ad itself, provide keys for making sense of the text.
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface 1
- Chapter 1. English news discourse from newsbooks to new media 3
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Part I. Changing or maintaining conventions?
- Chapter 2. Of hopes and plans 15
- Chapter 3. Religious lexis and political ideology in English Civil War newsbooks 39
- Chapter 4. Contemporary observations on the attention value and selling power of English print advertisements (1700–1760) 61
- Chapter 5. A modest proposal in The Gentleman’s Magazine 81
- Chapter 6. Lexical bundles in news discourse 1784–1983 97
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Part II. Widening audiences
- Chapter 7. British popular newspaper traditions 119
- Chapter 8. The Poor Man’s Guardian 137
- Chapter 9. Diffusing political knowledge in illustrated magazines 157
- Chapter 10. From adverts to letters to the editor 175
- Chapter 11. The public identity of Jack the Ripper in late nineteenth-century British newspapers 199
-
Part III. New practices
- Chapter 12. Narrative vs. “objective” style 219
- Chapter 13. Astride two worlds 241
- Chapter 14. Newspaper funnies at the dawn of modernity 267
- Index 295
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface 1
- Chapter 1. English news discourse from newsbooks to new media 3
-
Part I. Changing or maintaining conventions?
- Chapter 2. Of hopes and plans 15
- Chapter 3. Religious lexis and political ideology in English Civil War newsbooks 39
- Chapter 4. Contemporary observations on the attention value and selling power of English print advertisements (1700–1760) 61
- Chapter 5. A modest proposal in The Gentleman’s Magazine 81
- Chapter 6. Lexical bundles in news discourse 1784–1983 97
-
Part II. Widening audiences
- Chapter 7. British popular newspaper traditions 119
- Chapter 8. The Poor Man’s Guardian 137
- Chapter 9. Diffusing political knowledge in illustrated magazines 157
- Chapter 10. From adverts to letters to the editor 175
- Chapter 11. The public identity of Jack the Ripper in late nineteenth-century British newspapers 199
-
Part III. New practices
- Chapter 12. Narrative vs. “objective” style 219
- Chapter 13. Astride two worlds 241
- Chapter 14. Newspaper funnies at the dawn of modernity 267
- Index 295