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Analyzing Image Schemas in Literature

Veröffentlicht/Copyright: 24. Dezember 2013
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Cognitive Semiotics
Aus der Zeitschrift Cognitive Semiotics Band 5 Heft s1

Published Online: 2013-12-24
Published in Print: 2009-09-01

© 2013 by Walter de Gruyter GmbH & Co.

Artikel in diesem Heft

  1. Masthead
  2. Contents
  3. Editorial Preface
  4. Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings
  5. Toward a Cognitive Semiotics of the Visual Artwork — Elements of a grammar of intuition
  6. Geometry and Dynamics in the Art of Leonardo da Vinci
  7. Non-Genericity as an Invariant of the Readability of Pictures
  8. Eye Movements and Pictorial Space Perception: Studies of paintings from Francis Bacon and Piero della Francesca
  9. What Is Art?
  10. The Artification Hypothesis and Its Relevance to Cognitive Science, Evolutionary Aesthetics, and Neuroaesthetics
  11. Analyzing Image Schemas in Literature
  12. Backmatter
https://doi.org/10.1515/cogsem.2009.5.fall2009.159

Artikel in diesem Heft

  1. Masthead
  2. Contents
  3. Editorial Preface
  4. Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings
  5. Toward a Cognitive Semiotics of the Visual Artwork — Elements of a grammar of intuition
  6. Geometry and Dynamics in the Art of Leonardo da Vinci
  7. Non-Genericity as an Invariant of the Readability of Pictures
  8. Eye Movements and Pictorial Space Perception: Studies of paintings from Francis Bacon and Piero della Francesca
  9. What Is Art?
  10. The Artification Hypothesis and Its Relevance to Cognitive Science, Evolutionary Aesthetics, and Neuroaesthetics
  11. Analyzing Image Schemas in Literature
  12. Backmatter
Heruntergeladen am 29.4.2026 von https://www.degruyterbrill.com/document/doi/10.1515/cogsem.2009.5.fall2009.159/html?lang=de
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