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4. Chaste and Silent – Again. Vitality and the Bound and Loosed Body in I.T.’s Grim the Collier of Croydon; or, The Devil and His Dame (c. 1600)
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vi
- Series Editor’s Preface viii
- Introduction: The Body at Play in Early Modern Texts 1
- 1. Ungracious Grace: Proprioception and Staging Taste in Thomas Dekker’s If This Be Not a Good Play, the Devil Is in It (1611) 8
- 2. Walking Without God – (Mis)Learning Through the Gait in Mateo Alemán’s Guzmán de Alfarache (1599 and 1604) and James Mabbe’s The Rogue (1622) 36
- 3. Plain Plasticity – Thomas Ellwood’s The History of the Life of Thomas Ellwood (1714) 58
- 4. Chaste and Silent – Again. Vitality and the Bound and Loosed Body in I.T.’s Grim the Collier of Croydon; or, The Devil and His Dame (c. 1600) 81
- Index 109
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vi
- Series Editor’s Preface viii
- Introduction: The Body at Play in Early Modern Texts 1
- 1. Ungracious Grace: Proprioception and Staging Taste in Thomas Dekker’s If This Be Not a Good Play, the Devil Is in It (1611) 8
- 2. Walking Without God – (Mis)Learning Through the Gait in Mateo Alemán’s Guzmán de Alfarache (1599 and 1604) and James Mabbe’s The Rogue (1622) 36
- 3. Plain Plasticity – Thomas Ellwood’s The History of the Life of Thomas Ellwood (1714) 58
- 4. Chaste and Silent – Again. Vitality and the Bound and Loosed Body in I.T.’s Grim the Collier of Croydon; or, The Devil and His Dame (c. 1600) 81
- Index 109
