Book
Licensed
Unlicensed
Requires Authentication
The films of Luc Besson
Master of spectacle
-
Edited by:
Susan Hayward
and Philip Powrie
Language:
English
Published/Copyright:
2007
About this book
This fascinating collection looks at the career and films of Luc Besson, one of the most acclaimed figures in international cinema. Contributions have been assembled from all over the world, and their different approaches reflect this geographical diversity. Films covered range from Besson’s first feature, La Dernier Combat, to the international blockbusters The Fifth Element and Joan of Arc. The essays range from looking at costume design to musical scores, and the final chapter offers a transcript of a previously unpublished interview with the man himself.
He is the only French director to have crossed over successfully during the 1990s into the blockbuster spectacular we associate with Hollywood cinema and yet this is only the second book in English on this major international director. The films of Luc Besson will make fascinating reading for anyone interested in the career and films of the ‘master of spectacle’.
He is the only French director to have crossed over successfully during the 1990s into the blockbuster spectacular we associate with Hollywood cinema and yet this is only the second book in English on this major international director. The films of Luc Besson will make fascinating reading for anyone interested in the career and films of the ‘master of spectacle’.
Author / Editor information
Contributor: Susan Hayward
Susan Hayward is Professor of French at the University of Exeter
Topics
|
Publicly Available Download PDF |
i |
|
Publicly Available Download PDF |
v |
|
Publicly Available Download PDF |
vii |
|
Publicly Available Download PDF |
viii |
|
Publicly Available Download PDF |
x |
|
Susan Hayward and Phil Powrie Requires Authentication Unlicensed Licensed |
1 |
|
Beineix, Besson, Carax from Diva to Le Grand Bleu Raphaël Bassan Requires Authentication Unlicensed Licensed |
11 |
|
The ‘post-Hollywood’ Besson Rosanna Maule Requires Authentication Unlicensed Licensed |
23 |
|
Gérard Dastugue Requires Authentication Unlicensed Licensed |
43 |
|
The music of Eric Serra in the films of Luc Besson Mark Brownrigg Requires Authentication Unlicensed Licensed |
57 |
|
Phil Powrie Requires Authentication Unlicensed Licensed |
75 |
|
Le Dernier combat and Le Cinquième élément Susan Hayward Requires Authentication Unlicensed Licensed |
91 |
|
Freudian hydraulic patterns in Le Grand bleu Laurent Jullier Requires Authentication Unlicensed Licensed |
109 |
|
Space and identity in Subway and Nikita Mark Orme Requires Authentication Unlicensed Licensed |
121 |
|
Consumer culture’s killer instinct and the imperial imperative Hilary Ann Radner Requires Authentication Unlicensed Licensed |
135 |
|
Phil Powrie Requires Authentication Unlicensed Licensed |
147 |
|
High epic style and politicising camp Susan Hayward Requires Authentication Unlicensed Licensed |
161 |
|
Gérard Dastugue Requires Authentication Unlicensed Licensed |
175 |
|
Requires Authentication Unlicensed Licensed |
179 |
|
Requires Authentication Unlicensed Licensed |
189 |
|
Requires Authentication Unlicensed Licensed |
193 |
Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 13, 2023
eBook ISBN:
9781526141811
Pages and Images/Illustrations in book
eBook ISBN:
9781526141811
Keywords for this book
audience reception; cinemagoers; dominant ideology; Eric Serra; flashy videoclips; Luc Besson's films; music; soundtrack; stylization; videotape buyers
Audience(s) for this book
For a non-specialist adult audience