The Bearded Lady Project
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Edited by:
Lexi Jamieson Marsh
and Ellen Currano -
Photographs by:
Kelsey Vance
and Draper White
About this book
Author / Editor information
Ellen Currano is a paleontologist at the University of Wyoming with a joint appointment in the Department of Botany and the Department of Geology and Geophysics. Her research focuses on the response of ancient forest communities to environmental changes.
Reviews
“The stories within are compelling, and I wish I had been able to read them before I embarked on my own career as a scientist. The contributors’ and editors’ voices emanate clearly from the pages. The writing is an impressive combination of approachable yet sophisticated, powerful yet playful, meticulously researched and fact-based, yet balanced with personal, often painful narratives.
Emily Graslie, chief curiosity correspondent at the Field Museum of Natural History:
The Bearded Lady Project is a necessary novelty. It’s snarky, beautiful, and increasingly powerful in the evolution of its message: Don’t ever assume you know what a scientist looks like. These essays—critical, poignant examinations of societal and historical perceptions of genius—remind us how much scientists have to say about the world in which their research takes place.
Marcia Bjonerud, professor of geosciences at Lawrence University, author of Timefulness: How Thinking Like a Geologist Can Help Save the World:
The portraits in The Bearded Lady Project intentionally cause double takes, forcing the viewer to look, then look again. But their real power lies in how they require us to look inward and see that antediluvian ideas about who can and cannot do science still linger. The accompanying stories of remarkable women in paleontology make one hopeful that soon these old stereotypes will finally go extinct.
Topics
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Publicly Available Download PDF |
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Lexi Jamieson Marsh Publicly Available Download PDF |
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Part I: Why Challenge the Face of Science
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Amanda Diekman Requires Authentication Unlicensed Licensed |
2 |
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Amy K. Guenther Requires Authentication Unlicensed Licensed |
7 |
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Kimberly A. Hamlin Requires Authentication Unlicensed Licensed |
11 |
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Ellen Currano Requires Authentication Unlicensed Licensed |
15 |
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Ellen Currano Requires Authentication Unlicensed Licensed |
21 |
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Ellen Currano Requires Authentication Unlicensed Licensed |
28 |
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Catherine Badgley Requires Authentication Unlicensed Licensed |
35 |
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Part II: Women in Paleontology
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Stereotypes
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Carole S. Hickman Requires Authentication Unlicensed Licensed |
43 |
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Anna K. Behrensmeyer Requires Authentication Unlicensed Licensed |
49 |
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Lisa White Requires Authentication Unlicensed Licensed |
55 |
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Ashley Hall Requires Authentication Unlicensed Licensed |
63 |
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ReBecca Hunt-Foster Requires Authentication Unlicensed Licensed |
67 |
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Karen Chin Requires Authentication Unlicensed Licensed |
71 |
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Women
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Amy K. Guenther Requires Authentication Unlicensed Licensed |
79 |
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Leslea J. Hlusko Requires Authentication Unlicensed Licensed |
87 |
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Andrea D. Hawkes Requires Authentication Unlicensed Licensed |
95 |
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Patricia H. Kelley Requires Authentication Unlicensed Licensed |
101 |
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Bonnie Jacobs Requires Authentication Unlicensed Licensed |
105 |
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Gender
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Amy K. Guenther Requires Authentication Unlicensed Licensed |
117 |
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Denise F. Su Requires Authentication Unlicensed Licensed |
123 |
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Amy K. Guenther Requires Authentication Unlicensed Licensed |
130 |
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Sara B. Pruss Requires Authentication Unlicensed Licensed |
143 |
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Part III: Behind the Lens
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Lexi Jamieson Marsh Requires Authentication Unlicensed Licensed |
147 |
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Ellen Currano Requires Authentication Unlicensed Licensed |
155 |
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Kelsey Vance Requires Authentication Unlicensed Licensed |
159 |
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Lexi Jamieson Marsh Requires Authentication Unlicensed Licensed |
163 |
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174 |
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Requires Authentication Unlicensed Licensed |
175 |
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176 |
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180 |
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181 |