Spanish Fascist Writing
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Edited by:
Justin Crumbaugh
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With contributions by:
Justin Crumbaugh
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Translated by:
Maria Soledad Barbon
About this book
This important collection of Spanish fascist writing makes it possible for the first time to fully incorporate Spain into the global history of fascism.
Author / Editor information
Justin Crumbaugh is an associate professor of Spanish at Mount Holyoke College.
Santianez Nil :
Nil Santiáñez is a professor of Spanish and international studies at Saint Louis University.
Barbon Maria Soledad :
María Soledad Barbón is a professor of comparative literature at the University of Massachusetts Amherst.
Crumbaugh Justin :
Justin Crumbaugh is an associate professor of Spanish at Mount Holyoke College.
Santianez Nil :
Nil Santiáñez is a professor of Spanish and international studies at Saint Louis University.
Reviews
"Spanish Fascist Writing is a timely collection of texts, including manifestos, speeches, and letters, arranged to introduce readers to a wide spectrum of themes. Together these texts enrich our understanding of right-wing extremism in Spain and worldwide in the past and present. The collection also adds to our interpretation of the historical genealogies of European fascism. Justin Crumbaugh and Nil Santiáñez, as editors of the anthology, provide a useful history of Spanish fascism, a bibliographic essay, and notes, all of which add to the book’s value as a teaching resource. As translators, with María Soledad Barbón, they are aware of the rhetoric of this particular manifestation of fascism and thus are careful to convey the nuances and stylistic idiosyncrasies of every text."
Sara J. Brenneis, Professor of Spanish, Amherst College:
"This fascinating volume speaks to a cutting-edge interest in fascism and its evolution worldwide, filling in a large gap in historical and literary studies. It situates Spanish fascist writing within the European context and provides a case study of Spain, a curated collection of the country’s literature, and short biographies of the major players in the evolution of fascist thought. Justin Crumbaugh and Nil Santiáñez have taken great care in the selection, introduction, and translation of the texts and the breadth and selectivity with which they were chosen make this volume distinct, up-to-date, and invaluable to scholars and students."
Susan Larson, Professor of Spanish, Texas Tech University:
"Our present-day political situation demands that we refamiliarize ourselves with the history of fascism. The translated texts in Spanish Fascist Writing allow us to include the Spanish case into a broader and more historically grounded conversation about fascism that also has the potential to make a significant impact on young people coming into contact with the historical reality and political dangers of fascism for the first time. Spanish Fascist Writing could not have come out at a more opportune time."
Topics
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Justin Crumbaugh and Nil Santiáñez Requires Authentication Unlicensed Licensed |
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Section One: Manifestos and Political Programs
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Ernesto Giménez Caballero Requires Authentication Unlicensed Licensed |
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Onésimo Redondo Requires Authentication Unlicensed Licensed |
84 |
Onésimo Redondo Requires Authentication Unlicensed Licensed |
87 |
José María De Areilza Requires Authentication Unlicensed Licensed |
89 |
José Antonio Primo De Rivera Requires Authentication Unlicensed Licensed |
94 |
Falange Española Requires Authentication Unlicensed Licensed |
102 |
Falange Española De Las Jons Requires Authentication Unlicensed Licensed |
110 |
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115 |
José Luis De Arrese Requires Authentication Unlicensed Licensed |
118 |
Eugenio Montes Requires Authentication Unlicensed Licensed |
122 |
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125 |
Section Two: Nation and Empire
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Ernesto Giménez Caballero Requires Authentication Unlicensed Licensed |
133 |
Ramiro De Maeztu Requires Authentication Unlicensed Licensed |
147 |
Antonio Tovar Requires Authentication Unlicensed Licensed |
156 |
José María Cordero Torres Requires Authentication Unlicensed Licensed |
162 |
Manuel Fraga Iribarne Requires Authentication Unlicensed Licensed |
171 |
Section Three: The New Man and the New Woman
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Ramiro Ledesma Ramos Requires Authentication Unlicensed Licensed |
177 |
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181 |
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184 |
José Antonio Primo De Rivera Requires Authentication Unlicensed Licensed |
186 |
Rafael García Serrano Requires Authentication Unlicensed Licensed |
188 |
Pilar Primo De Rivera Requires Authentication Unlicensed Licensed |
192 |
Mercedes Sanz Bachiller Requires Authentication Unlicensed Licensed |
200 |
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210 |
Section Four: Violence and War
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Rafael Sánchez Mazas Requires Authentication Unlicensed Licensed |
221 |
José Millán-Astray Requires Authentication Unlicensed Licensed |
225 |
Ernesto Giménez Caballero Requires Authentication Unlicensed Licensed |
229 |
Luys Santa Marina Requires Authentication Unlicensed Licensed |
232 |
Ramiro Ledesma Ramos Requires Authentication Unlicensed Licensed |
240 |
Onésimo Redondo Requires Authentication Unlicensed Licensed |
242 |
Onésimo Redondo Requires Authentication Unlicensed Licensed |
244 |
José Antonio Primo De Rivera Requires Authentication Unlicensed Licensed |
246 |
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249 |
Dionisio Ridruejo Requires Authentication Unlicensed Licensed |
252 |
Section Five: Culture, Aesthetics, and Poetics
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Ernesto Giménez Caballero Requires Authentication Unlicensed Licensed |
257 |
Agustín de Foxá Requires Authentication Unlicensed Licensed |
267 |
Rafael Sánchez Mazas Requires Authentication Unlicensed Licensed |
270 |
Pedro Bidagor Requires Authentication Unlicensed Licensed |
280 |
Francisco Franco Requires Authentication Unlicensed Licensed |
286 |
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293 |
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303 |